11504 lines
729 KiB
Plaintext
11504 lines
729 KiB
Plaintext
“The shining mountains,” said Gregory Compton softly, throwing back his
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head, his eyes travelling along the hard bright outlines above the high
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valley in which his ranch lay. “The shining mountains. That is what the
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Indians called them before the white man came.”
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His wife yawned frankly. “Pity they don’t shine inside as well as
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out--what we’ve got of ’em.”
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“Who knows? Who knows?”
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“We don’t. That’s the trouble.”
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But although she spoke tartly, she nestled into his arm, for she was
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not unamiable, she had been married but sixteen months, and she was
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still fond of her husband “in a way”; moreover, although she cherished
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resentments open and secret, she never forgot that she had won a
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prize “as men go.” Many girls in Butte[A] had wanted to marry Gregory
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Compton, not only because he had inherited a ranch of eleven hundred
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and sixty acres, but because, comprehensively, he was superior to the
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other young men of his class. He had graduated from the High School
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before he was sixteen; then after three years’ work on the ranch under
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his unimaginative father, he had announced his intention of leaving the
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State unless permitted to attend the School of Mines in Butte. The old
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man, who by this time had taken note of the formation of his son’s jaw,
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gave his consent rather than lose the last of his children; and for two
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years and a semester Gregory had been the most brilliant figure in the
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School of Mines.
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“Old Man Compton,” who had stampeded from his small farm in northern
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New York in the sixties to meet with little success in the mines, but
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more as a rancher, had been as typical a hayseed as ever punctuated
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politics with tobacco juice in front of a corner grocery-store, but
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had promised his wife on her death-bed that their son should have
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“schooling.” Mrs. Compton, who had arrived in Montana soon after the
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log house was built, was a large, dark, silent woman, whom none of
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her distant neighbours had ever claimed to know. It was currently
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believed in the New York village whence she came that in the early days
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of the eighteenth century the sturdy Verrooy stock had been abruptly
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crossed by the tribe of the Oneida. Ancient history in a new country
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is necessarily enveloped in mist, but although the children she had
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lost had been fair and nondescript like their father, her youngest, and
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her only son, possessed certain characteristics of the higher type of
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Indian. He was tall and lightly built, graceful, supple, swift of foot,
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with the soft tread of the panther; and although his skin was no darker
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than that of the average brunette, it acquired significance from the
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intense blackness of his hair, the thin aquiline nose, the long, narrow
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eyes, the severe and stolid dignity of expression even in his earlier
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years.
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He had seemed to the girls of the only class he knew in Butte an
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even more romantic figure than the heroes of their magazine fiction,
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particularly as he took no notice of them until he met Ida Hook at a
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picnic and surrendered his heart.
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Ida, forced by her thrifty mother to accept employment with a
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fashionable dressmaker, and consumed with envy of the “West Siders”
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whose measurements she took, did not hesitate longer than feminine
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prudence dictated. Before she gave her hair its nightly brushing her
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bold unpedantic hand had covered several sheets of pink note-paper with
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the legend, “Mrs. Gregory Compton,” the while she assured herself there
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was “no sweller name on West Broadway.” To do her justice, she also
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thrilled with young passion, for more than her vanity had responded
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to the sombre determined attentions of the man who had been the
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indifferent hero of so many maiden dreams. Although she longed to be a
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Copper Queen, she was too young to be altogether hard; and, now that
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her hour was come, every soft enchantment of her sex awoke to bind and
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blind her mate.
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Gregory Compton’s indifference to women had been more pretended than
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real, although an occasional wild night on The Flat had interested him
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far more than picnics and dances where the girls used no better grammar
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than the “sporting women” and were far less amusing. He went to this
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picnic to please his old school friend, Mark Blake, and because Nine
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Mile Cañon had looked very green and alluring after the June rains when
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he had ridden through it alone the day before. The moment he stood
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before Ida Hook, staring into the baffling limpid eyes, about which
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heavy black lashes rose and fell and met and tangled and shot apart in
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a series of bedevilling manœuvres, he believed himself to be possessed
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by that intimate soul-seeking desire that nothing but marriage can
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satisfy. He kept persistently at her side, his man’s instinct prompting
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the little attentions women value less than they demand. He also took
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more trouble to interest her verbally than was normal in one whom
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nature had prompted to silence, and he never would learn the rudiments
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of small talk; but his brain was humming in time with his eager
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awakened pulses, and Ida was too excited and exultant to take note of
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his words. “It was probably about mines, anyway,” she confided to her
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friends, Ruby and Pearl Miller. “Nobody talks about anything else long
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in this old camp.”
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Gregory’s infatuation was by no means reduced by the fact that no less
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than six young men contended for the favour of Miss Hook. She was the
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accredited beauty of Butte, for even the ladies of the West Side had
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noticed and discussed her and hoped that their husbands and brothers
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had not. It was true that her large oval blue-grey eyes, set like
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Calliope’s, were as shallow as her voice; but the lids were so broad
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and white, and the lashes so silky and oblique, that the critical
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faculty of man was drugged, if dimly prescient. Her cheeks were a
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trifle too full, her nose of a type unsung in marble; but what of that
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when her skin was as white as milk, the colour in cheek and lips of a
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clear transparent coral, that rarest and most seductive of nature’s
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reds, her little teeth enamelled like porcelain? And had she not every
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captivating trick, from active eyelash to the sudden toss of her small
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head on its long round throat, even to the dilating nostril which made
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her nose for the moment look patrician and thin! Her figure, too, with
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its boyish hips, thin flexible waist, and full low bust, which she
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carried with a fine upright swing, was made the most of in a collarless
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blouse, closely fitting skirt, and narrow dark belt.
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Miss Hook, although her expression was often wide-eyed and innocent,
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was quite cynically aware of her power over the passions of men. More
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than one man of high salary or recent fortune had tried to “annex”
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her, as she airily put it; her self-satisfaction and the ever-present
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sophistications of a mining town saving her from anything so gratuitous
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as outraged maidenhood.
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The predatory male and his promises had never tempted her, and it
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was her boast that she had never set foot in the road houses of The
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Flat. She had made up her mind long since to live on the West Side,
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the fashionable end of Butte, and was wise enough, to quote her own
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words, to know that the straight and narrow was the only direct route.
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Ambition, her sleepless desire to be a grand dame (which she pronounced
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without any superfluous accent), was stronger than vanity or her
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natural love of pleasure. By the ordinary romantic yearnings of her
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age and sex she was unhampered; but when she met Gregory Compton, she
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played the woman’s game so admirably the long day through that she
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brushed her heavy black hair at night quite satisfied he would propose
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when she gave him his chance. This she withheld for several days, it
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being both pleasant and prudent to torment him. He walked home with her
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every afternoon from the dressmaking establishment on North Main Street
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to her mother’s cottage in East Granite, to be dismissed at the gate
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coyly, reluctantly, indifferently, but always with a glance of startled
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wonder from the door.
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In the course of the week she gave him to understand that she should
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attend the Friday Night dance at Columbia Gardens, and expected him to
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escort her. Gregory, who by this time was reduced to a mere prowling
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instinct projected with fatal instantaneity from its napping ego, was
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as helpless a victim as if born a fool. He thought himself the most
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fortunate of men to receive permission to sit beside her on the open
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car during the long ride to the Gardens, to pay for the greater number
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of her waltzes, to be, in short, her beau for the night.
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The evening of Friday at Columbia Gardens is Society Night for all
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respectable Butte, irrespective of class; the best floor and the
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airiest hall in Silver Bow County proving an irresistible incentive to
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democracy. Moreover, Butte is a city of few resources, and the Gardens
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at night look like fairyland: the immense room is hung with Chinese
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lanterns depending from the rafters, the music is the best in Montana;
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and the richer the women, the plainer their frocks. A sort of informal
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propriety reigns, and millionaire or clerk pays ten cents for the
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privilege of dancing with his lady.
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Ida, who had expended five of her hard-earned dollars on a bottle
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of imported perfume, wore a white serge suit cut as well as any in
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“the grand dame bunch.” After the sixth waltz she draped her head and
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shoulders with a coral-pink scarf and led Gregory, despite the chill of
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June, out to his willing fate. The park was infested by other couples,
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walking briskly to keep themselves warm, and so were the picnic grounds
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where the cottonwoods and Canadian poplars were being coaxed to grow,
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now that the smelters which had reduced the neighbourhood of Butte to
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its bones had been removed to Anaconda.
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But farther up the cañon no one but themselves adventured, and here
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Gregory was permitted to ask this unique creature, provided with a new
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and maddening appeal to the senses, to renounce her kingdom and live on
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a ranch.
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It was all very crude, even to the blatant moon, which in the thin
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brilliant atmosphere of that high altitude swings low with an almost
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impudent air of familiarity, and grins in the face of sentiment.
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But to Gregory, who was at heart passionate and romantic, it was a
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soul-quickening scene: the blazing golden disk poised on the very crest
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of the steep mountain before them, the murmur of water, the rustling
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young leaves, the deep-breasted orientally perfumed woman with the
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innocent wondering eyes. The moon chuckled and reminded his exacting
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mistress, Nature, that were he given permission to scatter some of his
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vast experience instead of the seductive beams that had accumulated
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it, this young man with his natural distinction of mind, and already
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educated beyond his class, would enjoy a sudden clarity of vision and
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perceive the defects of grammar and breeding in this elemental siren
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with nothing but Evian instincts to guide her.
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But the dutiful old search-light merely whipped up the ancestral
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memories in Gregory’s subconscious brain; moreover, gave him courage.
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He made love with such passion and tenderness that Ida, for once
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elemental, clung to him so long and so ardently that the grinning
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moon whisked off his beam in disgust and retired behind a big black
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cloud--which burst shortly afterwards and washed out the car tracks.
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They were married in July, and Mrs. Hook, who had worked for forty
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years at tub and ironing-board, moved over to the dusty cemetery in
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September, at rest in the belief not only that her too good-looking
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daughter was safely “planted,” but was a supremely happy woman.
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Ida’s passion, however, had been merely a gust of youth, fed by
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curiosity and gratified ambition; it quickly passed in the many
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disappointments of her married life. Gregory had promised her a
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servant, but no “hired girl” could be induced to remain more than a
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week on the lonely De Smet Ranch; and Mrs. Compton’s temper finding
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its only relief in one-sided quarrels with her Chinese cooks, even the
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philosophical Oriental was prone to leave on a moment’s notice. There
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were three hired men and three in the family, after John Oakley came,
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to cook and “clean up” for, and there were weeks at a time when Ida
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was obliged to rise with the dawn and occupy her large and capable but
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daintily manicured hands during many hours of the day.
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Gregory’s personality had kindled what little imagination she had
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into an exciting belief in his power over life and its corollary, the
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world’s riches. Also, having in mind the old Indian legend of the great
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chief who had turned into shining gold after death and been entombed in
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what was now known prosaically as the De Smet Ranch, she had expected
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Gregory to “strike it rich” at once.
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But although there were several prospect holes on the ranch, dug
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by Gregory in past years, he had learned too much, particularly of
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geology, during his two years at the School of Mines to waste any more
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time digging holes in the valley or bare portions of the hills. If a
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ledge existed it was beneath some tangle of shrub or tree-roots, and he
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had no intention of denuding his pasture until he was prepared to sell
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his cattle.
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He told her this so conclusively a month after they were married that
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she had begged him to raise sugar beets and build a factory in Butte
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(which he would be forced to superintend), reminding him that the only
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factory in the State was in the centre of another district and near
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the southern border, and that sugar ranged from six to seven dollars a
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hundredweight. He merely laughed at this suggestion, although he was
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surprised at her sagacity, for, barring a possible democratic victory,
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there was room for two beet-sugar factories in Montana. But he had
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other plans, although he gave her no hint of them, and had no intention
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of complicating his life with an uncongenial and exacting business.
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By unceasing personal supervision he not only made the ranch profitable
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and paid a yearly dividend to his three aunts, according to the terms
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of his father’s will, but for the last two years, after replacing or
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adding to his stock, he had deposited a substantial sum in the bank,
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occasionally permitting his astute friend, Mark Blake, to turn over a
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few hundreds for him on the stock-market. This was the heyday of the
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American farmer, and the De Smet cattle brought the highest prices
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in the stock-yards for beef on the hoof. He also raised three crops
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of alfalfa a year to insure his live stock against the lean days of
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a Rocky Mountain winter. He admitted to Ida that he could afford to
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sink a shaft or drive a tunnel in one of his hills, but added that
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he should contemplate nothing of the sort until he had finished his
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long-delayed course in the School of Mines, and had thousands to throw
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away on development work, miners, and machinery. At this time he saw no
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immediate prospect of resuming the studies interrupted by the death of
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his father: until John Oakley came, eight months after his marriage, he
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knew of no foreman to trust but himself.
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Ida desired the life of the city for other reasons than its luxuries
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and distractions. Her fallow brain was shrewd and observing, although
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often crude in its deductions. She soon realised that the longer she
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lived with her husband the less she understood him. Like all ignorant
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women of any class she cherished certain general estimates of men,
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and in her own class it was assumed that the retiring men were weak
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and craven, the bold ones necessarily lacking in that refinement upon
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which their young lady friends prided themselves. Ida had found that
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Gregory, bold as his wooing had been, and arrogantly masculine as he
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was in most things, not only had his shynesses but was far more refined
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and sensitive than herself. She was a woman who prided herself upon
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her theories, and disliked having them upset; still more not knowing
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where she was at, to use her own spirited vernacular. She began to
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be haunted by the fear of making some fatal mistake, living, as she
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did, in comparative isolation with him. Not only was her womanly
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pride involved, as well as a certain affection born of habit and
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possible even to the selfish, rooted as it is in the animal function
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of maternity, but she had supreme faith in his future success and was
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determined to share it.
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She was tired, however, of attempting to fathom the intense reserves
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and peculiarities of that silent nature, of trying to live up to him.
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She was obliged to resort to “play-acting”; and, fully aware of her
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limitations, despite her keen self-appreciation, was in constant fear
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that she would “make a grand mess of it.” Gregory’s eyes could be very
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penetrating, and she had discovered that although he never told funny
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stories, nor appeared to be particularly amused at hers, he had his own
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sense of humour.
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II
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The young couple stood together in the dawn, the blue dawn of Montana.
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The sky was as cold and bright as polished silver, but the low soft
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masses of cloud were blue, the glittering snow on the mountain peaks
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was blue, the smooth snow fields on the slopes and in the valley were
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blue. Nor was it the blue of azure or of sapphire, but a deep lovely
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cool polaric blue, born in the inverted depths of Montana, and forever
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dissociated from art.
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It was an extramundane scene, and it had drawn Gregory from his bed
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since childhood, but to Ida, brought up in a town, and in one whose
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horizons until a short while ago had always been obscured by the
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poisonous haze of smelters, and ores roasted in the open, it was
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“weird.” Novels had informed her that sunrises were pink, or, at the
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worst, grey. There was something mysterious in this cold blue dawn up
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in the snow fields, and she hated mystery. But as it appeared to charm
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Gregory, she played up to him when he “dragged” her out to look at it;
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and she endeavoured to do so this morning although her own ego was
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rampant.
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Gregory drew her closer, for she still had the power to enthrall him
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at times. He understood the resources within her shallows as little
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as she understood his depths, but although her defects in education
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and natural equipment had long since appalled him, he was generally
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too busy to think about her, and too masculine to detect that she was
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playing a part. This morning, although he automatically responded to
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her blandishments, he was merely sensible of her presence, and his
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eyes, the long watchful eyes of the Indian, were concentrated upon the
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blue light that poured from the clouds down upon the glistening peaks.
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Ida knew that this meant he was getting ready to make an announcement
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of some sort, and longed to shake it out of him. Not daring to outrage
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his dignity so far, she drew the fur robe that enveloped them closer
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and rubbed her soft hair against his chin. It was useless to ask him
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to deliver himself until he was “good and ready”, but the less direct
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method sometimes prevailed.
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Suddenly he came out with it.
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“I’ve made up my mind to go back to the School.”
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“Back to school--are you loony?”
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“The School of Mines, of course. I can enter the Junior Class where
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I left off; earlier in fact, as I had finished the first semester.
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Besides, I’ve been going over all the old ground since Oakley came.”
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“Is that what’s in all them books.”
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“Those, dear.”
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“Those. Mining Engineer’s a lot sweller than rancher.”
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“Please don’t use that word.”
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“Lord, Greg, you’re as particular as if you’d been brought up in Frisco
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or Chicago, instead of on a ranch.”
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He laughed outright and pinched her ear. “I use a good deal of slang
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myself--only, there are some words that irritate me--I can hardly
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explain. It doesn’t matter.”
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“Greg,” she asked with sudden suspicion, “why are you goin’ in for a
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profession? Have you given up hopes of strikin’ it rich on this ranch?”
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“Oh, I shall never relinquish that dream.” He spoke so lightly that
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even had she understood him better she could not have guessed that the
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words leapt from what he believed to be the deepest of his passions.
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“But what has that to do with it? If there is gold on the ranch I shall
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be more likely to discover it when I know a great deal more about
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geology than I do now, and better able to mine it cheaply after I have
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learned all I can of milling and metallurgy at the School. But that is
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not the point. There may be nothing here. I wish to graduate into a
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profession which not only attracts me more than any other, but in which
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the expert can always make a large income. Ranching doesn’t interest
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me, and with Oakley to----”
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“What woke you up so sudden?”
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“I have never been asleep.” But he turned away his head lest she see
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the light in his eyes. “Oakley gives me my chance to get out, that is
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all. And I am very glad for your sake----”
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“Aw!” Her voice, ringing out with ecstasy, converted the native
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syllable into music. “It means we are goin’ to live in Butte!”
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“Of course.”
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“And I was so took--taken by surprise it never dawned on me till this
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minute. Now what do you know about that?”
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“We shall have to be very quiet. I cannot get my degree until a year
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from June--a year and seven months from now. I shall study day and
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night, and work in the mines during the winter and summer vacations. I
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cannot take you anywhere.”
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“Lord knows it can’t be worse’n this. I’ll have my friends to talk to
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and there’s always the movin’ picture shows. Lord, how I’d like to see
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one.”
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“Well, you shall,” he said kindly. “I wrote to Mark some time ago and
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asked him to give the tenant of the cottage notice. As this is the
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third of the month it must be empty and ready for us.”
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“My goodness gracious!” cried his wife with pardonable irritation, “but
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you are a grand one for handin’ out surprises! Most husbands tell their
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wives things as they go along, but you ruminate like a cow and hand
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over the cud when you’re good and ready. I’m sick of bein’ treated as
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if I was a child.”
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“Please don’t look at it in that way. What is the use of talking about
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things until one is quite sure they can be accomplished?”
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“That’s half the fun of bein’ married,” said Ida with one of her
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flashes of intuition.
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“Is it?” Gregory turned this over in his mind, then, out of his own
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experience, rejected it as a truism. He could not think of any subject
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he would care to discuss with his wife; or any other woman. But he
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kissed her with an unusual sense of compunction. “Perhaps I liked the
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idea of surprising you,” he said untruthfully. “You will be glad to
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live in Butte once more?”
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“You may bet your bottom dollar on that. When do we go?”
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“Tomorrow.”
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“_Lands_ sakes! Well, I’m dumb. And breakfast has to be got if I _have_
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had a bomb exploded under me. That Chink was doin’ fine when I left,
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but the Lord knows----”
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She walked toward the rear of the house, temper in the swing of her
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hips, her head tossed high. Although rejoicing at the prospect of
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living in town, she was both angry and vaguely alarmed, as she so often
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had been before, at the unimaginable reserves, the unsuspected mental
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activities, and the sudden strikings of this life-partner who should
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have done his thinking out loud.
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“Lord knows,” thought Mrs. Compton, as she approached her kitchen, with
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secret intent to relieve her feelings by “lambasting” the Mongolian and
|
||
leaving Oakley to shift for himself, “it’s like livin’ with that there
|
||
Sphinx. I don’t s’pose I’ll ever get used to him, and maybe the time’ll
|
||
come when I won’t want to.”
|
||
III
|
||
Gregory stood for some time longer, leaning on the gate and waiting
|
||
for the red fire to rise above the crystal mountains. He was eager for
|
||
the morrow, not only because he longed to be at the foundation stones
|
||
of his real life but because his mind craved the precise training, the
|
||
logical development, the intoxicating sense of expansion which he had
|
||
missed and craved incessantly during the six years that had elapsed
|
||
since he had been torn from the School of Mines. Moreover, his heart
|
||
was light; at last he was able to shift the great responsibilities of
|
||
his ranch to other shoulders.
|
||
Some six months since, his friend, Mark Blake, had recommended to him
|
||
a young man who not only had graduated at the head of his class in
|
||
the State College of Agriculture, but had served for two years on one
|
||
of the State Experimental Farms. “What he don’t know about scientific
|
||
farming, dry, intensive, and all the rest, isn’t worth shucks, old
|
||
man,” Blake had written. “He’s as honest as they come, and hasn’t a red
|
||
to do the trick himself, but wants to go on a ranch as foreman, and
|
||
farm wherever there’s soil of a reasonable depth. Of course he wants a
|
||
share of the profits, but he’s worth it to you, for the Lord never cut
|
||
you out for a rancher or farmer, well as you have done. What you want
|
||
is to finish your course and take your degree. Try Oakley out for six
|
||
months. There’ll be only one result. You’re a free man.”
|
||
The contract had been signed the day before. But Oakley had been a
|
||
welcome guest in the small household for more than practical reasons.
|
||
Until the night of his advent, when the two men sat talking until
|
||
daylight, Gregory had not realised the mental isolation of his married
|
||
life. Like all young men he had idealised the girl who made the first
|
||
assault on his preferential passion; but his brain was too shrewd,
|
||
keen, practical, in spite of its imaginative area, to harbor illusions
|
||
beyond the brief period of novelty. It had taken him but a few weeks
|
||
to discover that although his wife had every charm of youth and sex,
|
||
and was by no means a fool, their minds moved on different planes, far
|
||
apart. He had dreamed of the complete understanding, the instinctive
|
||
response, the identity of tastes, in short of companionship, of the
|
||
final routing of a sense of hopeless isolation he had never lost
|
||
consciousness of save when immersed in study.
|
||
Ida subscribed for several of the “cheapest” of the cheap magazines,
|
||
and, when her Mongolians were indulgent, rocked herself in the
|
||
sitting-room, devouring the factory sweets and crude mental drugs with
|
||
much the same spirit that revelled above bargain counters no matter
|
||
what the wares. She “lived” for the serials, and attempted to discuss
|
||
the “characters” with her husband and John Oakley. But the foreman was
|
||
politely intolerant of cheap fiction, Gregory open in his disgust.
|
||
He admitted unequivocally that he had made a mistake, but assuming
|
||
that most men did, philosophically concluded to make the best of it;
|
||
women, after all, played but a small part in a man’s life. He purposed,
|
||
however, that she should improve her mind, and would have been glad
|
||
to move to Butte for no other reason. He had had a sudden vision one
|
||
night, when his own mind, wearied with study, drifted on the verge
|
||
of sleep, of a lifetime on a lonely ranch with a woman whose brain
|
||
deteriorated from year to year, her face faded and vacuous, save when
|
||
animated with temper. If the De Smet Ranch proved to be mineralised,
|
||
Oakley, his deliverer, would not be forgotten.
|
||
He moved his head restlessly, his glance darting over as much of his
|
||
fine estate as it could focus, wondering when it would give up its
|
||
secrets, in other words, its gold. He had never doubted that it winked
|
||
and gleamed, and waited for him below the baffling surfaces of his
|
||
land. Not for millions down would he have sold his ranch, renounced the
|
||
personal fulfilment of that old passionate romance.
|
||
Gregory Compton was a dreamer, not in the drifting and aimless
|
||
fashion of the visionary, but as all men born with creative powers,
|
||
practical or artistic, must be. Indeed, it is doubtful if the artistic
|
||
brain--save possibly where the abnormal tracts are musical in the
|
||
highest sense--ever need, much less develop, that leaping vision, that
|
||
power of visualising abstract ideas, of the men whose gifts for bold
|
||
and original enterprise enable them to drive the elusive wealth of the
|
||
world first into a corner, then into their own pockets.
|
||
When one contemplates the small army of men of great wealth in the
|
||
world today, and, just behind, that auxiliary regiment endowed with the
|
||
talent, the imagination, and the grim assurance necessary to magnetise
|
||
the circulating riches of our planet; contemptuous of those hostile
|
||
millions, whose brains so often are of unleavened dough, always devoid
|
||
of talent, envious, hating, but sustained by the conceit which nature
|
||
stores in the largest of her reservoirs to pour into the vacancies of
|
||
the minds of men; seldom hopeless, fooling themselves with dreams of
|
||
a day when mere brute numbers shall prevail, and (human nature having
|
||
been revolutionised by a miracle) all men shall be equal and content to
|
||
remain equal;--when one stands off and contemplates these two camps,
|
||
the numerically weak composed of the forces of mind, the other of the
|
||
unelectrified yet formidable millions, it is impossible to deny not
|
||
only the high courage and supernormal gifts of the little army of
|
||
pirates, but that, barring the rapidly decreasing numbers of explorers
|
||
in the waste places of the earth, in them alone is the last stronghold
|
||
of the old adventurous spirit that has given the world its romance.
|
||
The discontented, the inefficient, the moderately successful, the
|
||
failures, see only remorseless greed in the great money makers. Their
|
||
temper is too personal to permit them to recognise that here are the
|
||
legitimate inheritors of the dashing heroes they enjoy in history,
|
||
the bold and ruthless egos that throughout the ages have transformed
|
||
savagery into civilisation, torpor into progress, in their pursuit
|
||
of gold. That these “doing” buccaneers of our time are the current
|
||
heroes of the masses, envious or generous in tribute, the most welcome
|
||
“copy” of the daily or monthly press, is proof enough that the spirit
|
||
of adventure still flourishes in the universal heart, seldom as modern
|
||
conditions permit its expansion. For aught we know it may be this
|
||
old spirit of adventure that inspires the midnight burglar and the
|
||
gentlemen of the road, not merely the desire for “easy money.” But
|
||
these are the flotsam. The boldest imaginations and the most romantic
|
||
hearts are sequestered in the American “big business” men of today.
|
||
Gregory Compton had grown to maturity in the most romantic subdivision
|
||
of the United States since California retired to the position of a
|
||
classic. Montana, her long winter surface a reflection of the beautiful
|
||
dead face of the moon, bore within her arid body illimitable treasure,
|
||
yielding it from time to time to the more ardent and adventurous of her
|
||
lovers. Gold and silver, iron, copper, lead, tungsten, precious and
|
||
semi-precious stones--she might have been some vast heathen idol buried
|
||
aeons ago when Babylon was but a thought in the Creator’s brain, and
|
||
the minor gods travelled the heaving spaces to immure their treasure,
|
||
stolen from rival stars.
|
||
Gregory had always individualised as well as idealised his state,
|
||
finding more companionship in her cold mysteries than in the unfruitful
|
||
minds of his little world. His youthful dreams, when sawing wood or
|
||
riding after cattle, had been alternately of desperate encounters with
|
||
Indians and of descending abruptly into vast and glittering corridors.
|
||
The creek on the ranch had given up small quantities of placer gold,
|
||
enough to encourage “Old Compton,” least imaginative of men, to use his
|
||
pick up the side of the gulch, and even to sink a shaft or two. But he
|
||
had wasted his money, and he had little faith in the mineral value of
|
||
the De Smet Ranch or in his own luck. He was a thrifty, pessimistic,
|
||
hard-working, down-east Presbyterian, whose faith in predestination had
|
||
killed such roots of belief in luck as he may have inherited with other
|
||
attributes of man. He sternly discouraged his son’s hopes, which the
|
||
silent intense boy expressed one day in a sudden mood of fervour and
|
||
desire for sympathy, bidding him hang on to the live stock, which were
|
||
a certain sure source of income, and go out and feed hogs when he felt
|
||
onsettled like.
|
||
He died when Gregory was in the midst of his Junior year in the School
|
||
of Mines, and the eager student was obliged to renounce his hope of a
|
||
congenial career, for the present, and assume control of the ranch.
|
||
It was heavily mortgaged; his father’s foreman, who had worked on the
|
||
ranch since he was a lad, had taken advantage of the old man’s failing
|
||
mind to raise the money, as well as to obtain his signature to the sale
|
||
of more than half the cattle. He had disappeared with the concrete
|
||
result a few days before Mr. Compton’s death.
|
||
It was in no serene spirit that Gregory entered upon the struggle
|
||
for survival at the age of twenty-one. Bitterly resenting his abrupt
|
||
divorce from the School of Mines, which he knew to be the gateway to
|
||
his future, and his faith in mankind dislocated by the cruel defection
|
||
of one whom he had liked and trusted from childhood, he seethed under
|
||
his stolid exterior while working for sixteen hours a day to rid the
|
||
ranch of its encumbrance and replace the precious cattle. But as
|
||
the greater part of this time was spent out of doors he outgrew the
|
||
delicacy of his youth and earlier manhood, and, with red blood and
|
||
bounding pulses, his bitterness left him.
|
||
He began to visit Butte whenever he could spare a few days from the
|
||
ranch, to “look up” as his one chum, Mark Blake, expressed it; so
|
||
that by the time he married he knew the life of a Western mining
|
||
town--an education in itself--almost as well as he knew the white and
|
||
silent spaces of Montana. With the passing of brooding and revolt his
|
||
old dreams revived, and he spent, until he married, many long days
|
||
prospecting. He had found nothing until a few weeks ago, early in
|
||
October, and then the discovery, such as it was, had been accidental.
|
||
There had been a terrific wind storm, beginning shortly after sundown,
|
||
reaching at midnight a velocity of seventy-two miles an hour, and
|
||
lasting until morning; it had been impossible to sleep or to go out of
|
||
doors and see to the well-being of the cattle.
|
||
The wind was not the Chinook, although it came out of the west, for
|
||
it was bitterly cold. Two of the house windows facing the storm were
|
||
blown in and the roof of a recent addition went off. As such storms are
|
||
uncommon in Montana, even Gregory was uneasy, fearing the house might
|
||
go, although it had been his father’s boast that not even an earthquake
|
||
could uproot it. After daybreak the steady fury of the storm ceased.
|
||
There was much damage done to the outbuildings, but, leaving Oakley to
|
||
superintend repairs, Gregory mounted his horse and rode over the ranch
|
||
to examine the fences and brush sheds. The former were intact, and the
|
||
cattle were huddled in their shelters, which were built against the
|
||
side of a steep hill. A few, no doubt, had drifted before the storm,
|
||
but would return in the course of the day. Here and there a pine tree
|
||
had been blown over, but the winter wheat and alfalfa were too young to
|
||
be injured.
|
||
He rode towards the hill where the wind had done its most conspicuous
|
||
damage. It was a long steep hill of granite near the base and grey
|
||
limestone above topped with red shales, and stood near the northeast
|
||
corner of the ranch. Its rigid sides had been relieved by a small grove
|
||
of pines; but although in spring it was gay with anemones and primrose
|
||
moss, and green until late in July, there was nothing on its ugly
|
||
flanks at this time of the year but sunburnt grass.
|
||
The old pines had clung tenaciously to the inhospitable soil for
|
||
centuries, but some time during the night, still clutching a mass of
|
||
earth and rock in their great roots, they had gone down before the
|
||
storm.
|
||
Gregory felt a pang of distress; in his boyhood that grove of pines
|
||
had been his retreat; there he had dreamed his dreams, visualised the
|
||
ascending metals, forced upward from the earth’s magma by one of those
|
||
old titanic convulsions that make a joke of the modern earthquake, to
|
||
find a refuge in the long fissures of the cooler crust, or in the great
|
||
shattered zones. He knew something of geology and chemistry when he was
|
||
twelve, and he “saw” the great primary deposits change their character
|
||
as they were forced closer to the surface, acted upon by the acids of
|
||
air and water in the oxide zone.
|
||
There he had lived down his disappointments, taken his dumb trouble
|
||
when his mother died; and he had found his way blindly to the dark
|
||
little grove after his father’s funeral and he had learned the wrong
|
||
that had been done him.
|
||
He had not gone there since. He had been busy always, and lost the
|
||
habit. But now he remembered, and with some wonder, for it was the one
|
||
ugly spot on the ranch, save in its brief springtime, that once it had
|
||
drawn his feet like a magnet. Hardly conscious of the act, he rode to
|
||
the foot of the hill, dismounted and climbed towards the grove which
|
||
had stood about fifty feet from the crest.
|
||
The ruin was complete. The grove, which once may have witnessed ancient
|
||
rites, was lying with its points in the brown grass. Its gaunt roots,
|
||
packed close with red earth and pieces of rock, seemed to strain upward
|
||
in agonised protest. Men deserted on the battlefield at night look
|
||
hardly more stricken than a tree just fallen.
|
||
As Gregory approached his old friends his eyes grew narrower and
|
||
narrower; his mind concentrated to a point as sharp and penetrating
|
||
as a needle. If the storm, now fitful, had suddenly returned to its
|
||
highest velocity he would not have known it. He walked rapidly behind
|
||
the vanquished roots and picked out several bits of rock that were
|
||
embedded in the earth. Then he knelt down and examined other pieces
|
||
of rock in the excavation where the trees had stood. Some were of a
|
||
brownish-yellow colour, others a shaded green of rich and mellow tints.
|
||
There was no doubt whatever that they were float.
|
||
He sat down suddenly and leaned against the roots of the trees. Had
|
||
he found his “mine”? Float indicates an ore body somewhere, and as
|
||
these particles had been prevented from escaping by the roots of trees
|
||
incalculably old, it was reasonable to assume that the ores were
|
||
beneath his feet.
|
||
His brain resumed its normal processes, and he deliberately gave his
|
||
imagination the liberty of its youth. The copper did not interest him,
|
||
but he stared at the piece of quartz in his hand as if it had been
|
||
a seer’s crystal. He saw great chambers of quartz flecked with free
|
||
gold, connected by pipes or shoots equally rich. Once he frowned, the
|
||
ruthlessly practical side of his intelligence reminding him that his
|
||
labours and hopes might be rewarded by a shallow pocket. But he brushed
|
||
the wagging finger aside. He could have sworn that he felt the pull of
|
||
the metals within the hill.
|
||
He was tired and hungry, but his immediate impulse, as soon as he had
|
||
concluded that he had dreamed long enough, was to go for his tools and
|
||
run a cut. He sprang to his feet; but he had taken only a few steps
|
||
when he turned and stared at the gashed earth, his head a little on
|
||
one side in an attitude that always indicated he was thinking hard and
|
||
with intense concentration. Then he set his lips grimly, walked down
|
||
the steep hillside, mounted his horse, and rode home. In the course of
|
||
the afternoon he returned to the hill, picked all the pieces of float
|
||
from the soil between the tree-roots, and buried them, stamping down
|
||
the earth. A few days later there was a light fall of snow. He returned
|
||
once more to the hill, this time with two of his labourers, who cut up
|
||
the trees and hauled them away. For the present his possible treasure
|
||
vault was restored to the seclusion of its centuries.
|
||
He had made up his mind that the ores should stay where they were
|
||
until he had finished his education in the School of Mines. He had
|
||
planned to finish that course, and what he planned he was in the habit
|
||
of executing. This was not the time for dreams, nor for prospecting,
|
||
but to learn all that the School could teach him. Then, if there
|
||
were valuable ore bodies in his hill he could be his own manager and
|
||
engineer. He knew that he had something like genius for geology, also
|
||
that many veins were lost through an imperfect knowledge (or sense)
|
||
of that science in mining engineers; on the other hand, that the
|
||
prospector, in spite of his much vaunted sixth sense, often failed,
|
||
where the hidden ores were concerned, through lack of scientific
|
||
training. He determined to train his own faculties as far as possible
|
||
before beginning development work on his hill. Let the prospector’s
|
||
fever get possession of him now and that would be the end of study. The
|
||
hill would keep. It was his. The ranch was patented.
|
||
When he had finished the interment of the float he had taken a small
|
||
notebook from his pocket and inscribed a date: June the third, eighteen
|
||
months later. Not until that date would he even ride past his hill.
|
||
Born with a strong will and a character endowed with force,
|
||
determination and a grimly passive endurance, it was his pleasure to
|
||
test and develop both. The process was satisfactory to himself but
|
||
sometimes trying to his friends.
|
||
Until this morning he had not permitted his mind to revert to the
|
||
subject. But although the hill--Limestone Hill it was called in the
|
||
commonplace nomenclature of the country--was far away and out of the
|
||
range of his vision, he could conjure it up in its minutest external
|
||
detail, and he permitted himself this luxury for a few moments after
|
||
his wife had left him to a welcome solitude. On this hill were centred
|
||
all his silent hopes.
|
||
If he had been greedy for riches alone he would have promoted a company
|
||
at once, if a cut opened up a chamber that assayed well, and reaped the
|
||
harvest with little or no trouble to himself. But nothing was farther
|
||
from his mind. He wanted the supreme adventure. He wanted to find the
|
||
ores with his own pick. After the adventure, then the practical use of
|
||
wealth. There was much he could do for his state. He knew also that in
|
||
one group of brain-cells, as yet unexplored, was the ambition to enter
|
||
the lists of “doing” men, and pit his wits against the best of them.
|
||
But he was young, he would have his adventure, live his dream first.
|
||
Not yet, however.
|
||
The swift passing of his marital illusions had convinced him that the
|
||
real passion of his life was for Montana and the golden blood in her
|
||
veins. Placer mining never had interested him. He wanted to find his
|
||
treasure deep in the jealous earth. He assured himself as he stood
|
||
there in the blue dawn that it was well to be rid of love so early in
|
||
the game, free to devote himself, with no let from wandering mind and
|
||
mere human pulses, to preparation for the greatest of all romances,
|
||
the romance of mining. That he might ever crave the companionship of
|
||
one woman was as remote from his mind as the possibility of failure.
|
||
To learn all that man and experience could teach him of the science
|
||
that has been so great a factor in the world’s progress; to magnetise
|
||
a vast share of Earth’s riches, first for the hot work of the battle,
|
||
then for the power it would give him; to conquer life; these were a
|
||
few of the flitting dreams that possessed him as he watched the red
|
||
flame lick the white crests of the mountains, and the blue clouds turn
|
||
to crimson; his long sensitive lips folded closely, his narrow eyes
|
||
penetrating the mists of the future, neither seeing nor considering
|
||
its obstacles, its barriers, its disenchantments. Thrice happy are the
|
||
dreamers of the world, when their imaginations are creative, not a mere
|
||
maggot wandering through the brain hatching formless eggs of desire
|
||
and discontent. They are the true inheritors of the centuries, whether
|
||
they succeed or fail in the eyes of men; for they live in vivid silent
|
||
intense drama as even they have no power to live and enjoy in mortal
|
||
conditions.
|
||
IV
|
||
The Comptons were quickly settled in the little cottage in East Granite
|
||
Street, for as Mrs. Hook’s furniture was solid Ida had not sold it.
|
||
There was little to do, therefore, but repaper the walls, build a
|
||
bathroom, furnish a dining-room, send the parlour furniture to the
|
||
upholsterers--Ida had had enough of horsehair--and chattel the kitchen.
|
||
Ida had several virtues in which she took a vocal pride, and not the
|
||
least of these was housekeeping in all its variety. The luxurious
|
||
side of her nature might revel in front parlours, trashy magazines,
|
||
rocking-chairs and chewing-gum, but she never indulged in these orgies
|
||
unless her house were in order. After her arrival in Butte it was quite
|
||
a month before she gave a thought to leisure. They spent most of this
|
||
time at a hotel, but Ida was out before the stores opened, and divided
|
||
her day between the workmen at the cottage, the upholsterer, and the
|
||
bargain counter. She was “on the job” every minute until the cottage
|
||
was “on wheels.” Her taste was neither original nor artistic, but she
|
||
had a rude sense of effect, and a passion for what she called colour
|
||
schemes. She boasted to Gregory at night, when she had him at her mercy
|
||
at the hotel dinner-table, that although everything had to be cheap
|
||
except the kitchen furnishings, colours did not cost any more than
|
||
black or drab. When the cottage was in order, and they moved in, he saw
|
||
its transfigured interior for the first time. The bedroom was done in
|
||
a pink that set his teeth on edge, and the little parlour was papered,
|
||
upholstered, carpeted, cushioned in every known shade of red.
|
||
“All you want is a chromo or two of Indian battlegrounds--just after,”
|
||
he remarked.
|
||
Ida interrupted tartly:
|
||
“Well, I should think you’d be grateful for the contrast to them
|
||
everlasting white or brown mountains. We don’t get away from them even
|
||
in town, now the smoke’s gone.”
|
||
“One would think Montana had no springtime.”
|
||
“Precious little. That’s the reason I’ve got a green dining-room.”
|
||
Gregory, who had suffered himself to be pushed into an arm-chair,
|
||
looked at his wife speculatively, as she rocked herself luxuriously,
|
||
her eyes dwelling fondly on the magenta paper, the crimson curtains,
|
||
the turkey red and crushed strawberry cushions of the divan, the
|
||
blood-red carpet with its still more sanguinary pattern. What
|
||
blind struggle was going on in that uninstructed brain against the
|
||
commonplace, what seed of originality, perhaps, striving to shoot forth
|
||
a green tip from the hard crust of ignorance and conceit?
|
||
He had made up his mind to suggest the tillage of that brain without
|
||
delay, but, knowing her sensitive vanity, cast about for a tactful
|
||
opening.
|
||
“Do you really intend to do your own work?” he asked. “I am more than
|
||
willing to pay for a servant.”
|
||
“Not much. I’m goin’ to begin to save up for the future right now. I’ll
|
||
put out the wash, but it’s a pity if a great husky girl like me can’t
|
||
cook for two and keep this little shack clean. You ain’t never goin’ to
|
||
be able to say I didn’t help you all I could.”
|
||
Gregory glowed with gratitude as he looked at the beautiful face of has
|
||
wife, flushed with the ardour of the true mate.
|
||
“You are all right,” he murmured.
|
||
“The less we spend the quicker we’ll get rich,” pursued Mrs. Compton.
|
||
“I don’t mind this triflin’ work, but it would have made me sick to
|
||
stay much longer on that ranch workin’ away my youth and looks and
|
||
nothin’ to show for it. Now that you’ve really begun on somethin’
|
||
high-toned and that’s bound to be a go, I just like the idea of havin’
|
||
a hand in the job.”
|
||
“Ah!-- Well-- If you have this faith in my power to make a fortune--if
|
||
you are looking forward to being a rich man’s wife, to put it
|
||
crudely--don’t you think you should begin to prepare yourself for the
|
||
position----”
|
||
“Now what are you drivin’ at?” She sprang to her feet. Her eyes blazed.
|
||
Her hands went to her hips. “D’you mean to say I ain’t good enough?
|
||
I suppose you’d be throwin’ me over for a grand dame when you get
|
||
up in the world like some other millionaires we know of, let alone
|
||
politicians what get to thinkin’ themselves statesmen, and whose
|
||
worn-out old wives ain’t good enough for ’em. Well, take this from
|
||
me and take it straight--I don’t propose to wear out, and I don’t
|
||
propose----”
|
||
“Sit down. I shall be a rich man long before you lose your beauty. Nor
|
||
have I any social ambitions. The world of men is all that interests me.
|
||
But with you it will be different----”
|
||
“You may betcherlife it’ll be different--some! When I have a
|
||
cream-coloured pressed brick house with white trimmings over there in
|
||
Millionaire Gulch nobody’ll be too good for me.”
|
||
“You shall live your life to suit yourself, in the biggest house in
|
||
Butte, if that is what you want. But there is more in it than that.”
|
||
“Clothes, of course. _Gowns!_ And jewels, and New York--Lord! wouldn’t
|
||
I like to swell up and down Peacock Ally! And Southern California, and
|
||
Europe, and givin’ balls, and bein’ a member of the Country Club.”
|
||
“All that, as a matter of course! But you would not be content with the
|
||
mere externals. Whether you know it or not, Ida, you are an ambitious
|
||
woman.” This was a mere gambler’s throw on Gregory’s part. He knew
|
||
nothing of her ambitions, and would have called them by another name if
|
||
he had.
|
||
“Not know it? Well, you may just betcherlife I know it!”
|
||
“But hardly where ambition leads. No sooner would you be settled in a
|
||
fine house, accustomed to your new toys, than you would want society.
|
||
I don’t mean that you would have any difficulty gaining admittance to
|
||
Butte society, for it is said that none in the world is more hospitable
|
||
and less particular. But whether you make _friends_ of the best people
|
||
here, much less become a leader, depends--well, upon several things----”
|
||
“Fire away,” said Ida sulkily. “You must be considerable in earnest to
|
||
talk a blue streak!”
|
||
“Business may take me to New York from time to time, but my home shall
|
||
remain here. I never intend to abandon my state and make a fool of
|
||
myself on New York’s doorstep as so many Montanans have done. Nail
|
||
up that fact and never forget it. Now, you would like to win an
|
||
unassailable position in your community, would you not?”
|
||
“Yep.”
|
||
Gregory abandoned tact. “Then begin at once to prepare yourself. You
|
||
must have a teacher and study--English, above all things.”
|
||
“My Goo-r-rd!” She flushed almost purple. For the moment she hated him.
|
||
“I’ve always suspicioned you thought I wasn’t good enough for you, with
|
||
your graduatin’ from the High School almost while you was in short
|
||
pants, and them two years and over at that high-brow School of Mines;
|
||
and now you’re tellin’ me you’ll be ashamed of me the minute you’re on
|
||
top!”
|
||
Gregory made another attempt at diplomacy. What his wife achieved
|
||
socially was a matter of profound indifference to him, but she must
|
||
reform her speech if his home life was to be endurable.
|
||
“I am forcing my imagination to keep pace with your future triumphs,”
|
||
he said with the charming smile that disarmed even Ida when irate. “If
|
||
you are going to be a prominent figure in society----”
|
||
“My land, you oughter heard the grammar and slang of some of the newest
|
||
West Siders when they were makin’ up their minds at Madame O’Reilley’s,
|
||
or havin’ their measures took. They don’t frighten me one little bit.”
|
||
“There is a point. To lead them you must be their superior--and the
|
||
equal of those that have made the most of their advantages.”
|
||
“That’s not such a bad idea.”
|
||
“Think it over.” He rose, for he was tired of the conversation. “These
|
||
western civilisations are said to be crude, but I fancy they are the
|
||
world in little. Subtlety, a brain developed beyond the common, should
|
||
go far----”
|
||
“Greg, you are dead right!” She had suddenly remembered that she must
|
||
play up to this man who held her ambitions in his hand, and she had the
|
||
wit to acknowledge his prospicience, little as were the higher walks of
|
||
learning to her taste. She sprang to her feet with a supple undulating
|
||
movement and flung herself into his arms.
|
||
“I’ll begin the minute you find me a teacher,” she exclaimed. Then she
|
||
kissed him. “I’m goin’ to keep right along with you and make you proud
|
||
of me,” she murmured. “I’m crazy about you and always will be. Swear
|
||
right here you’ll never throw me over, or run round with a P’rox.”
|
||
Gregory laughed, but held her off for a moment and stared into her
|
||
eyes. After all, might not study and travel and experience give depth
|
||
to those classic eyes which now seemed a mere joke of Nature? Was she
|
||
merely the natural victim of her humble conditions? Her father had
|
||
been a miner of a very superior sort, conservative and contemptuous of
|
||
agitators, but a powerful voice in his union and respected alike by men
|
||
and managers. Mrs. Hook had been a shrewd, hard-working, tight-fisted
|
||
little woman from Concord, who had never owed a penny, nor turned out
|
||
a careless piece of work. Both parents with education or better luck
|
||
might have taken a high position in any western community. He knew also
|
||
the preternatural quickness and adaptability of the American woman. But
|
||
could a common mind achieve distinction?
|
||
Ida, wondering “what the devil he was thinking about,” nestled closer
|
||
and gave him a long kiss, her woman’s wisdom, properly attributed to
|
||
the serpent, keeping her otherwise mute. Gregory snatched her suddenly
|
||
to him and returned her kiss. The new hope revived a passion by no
|
||
means dead for this beautiful young creature, and for the hour he was
|
||
as happy as during his rosy honeymoon.
|
||
V
|
||
When the cottage was quite in order Mrs. Compton invited two of her old
|
||
friends to lunch. As the School of Mines was at the opposite end of the
|
||
city, Gregory took his midday meal with him.
|
||
Miss Ruby Miller and her twin-sister Pearl were fine examples of the
|
||
self-supporting young womanhood of the West. Neither had struggled
|
||
in the extreme economic sense, although when launched they had
|
||
taken a man’s chances and asked no quarter. Born in a small town in
|
||
Illinois, their father, a provident grocer, had permitted each of his
|
||
daughters to attend school until her fifteenth year, then sent her
|
||
to Chicago to learn a trade. Ruby had studied the mysteries of the
|
||
hair, complexion, and hands; Pearl the science that must supplement
|
||
the knack for trimming hats. Both worked faithfully as apprentice and
|
||
clerk, saving the greater part of their earnings: they purposed to
|
||
set up for themselves in some town of the Northwest where money was
|
||
easier, opportunities abundant and expertness rare. What they heard
|
||
of Montana appealed to their enterprising minds, and, beginning with
|
||
cautious modesty, some four years before Ida’s marriage, Ruby was now
|
||
the leading hair-dresser and manicure of Butte, her pleasant address
|
||
and natural diplomacy assisting her competent hands to monopolise the
|
||
West Side custom; Pearl, although less candid and engaging, more frank
|
||
in reminding her customers of their natural deficiencies, was equally
|
||
capable; if not the leading milliner in that town of many milliners,
|
||
where even the miners’ wives bought three hats a season, she was
|
||
rapidly making a reputation among the feathered tribe. She now ranked
|
||
as one of the most successful of the young business women in a region
|
||
where success is ever the prize of the efficient. Both she and her
|
||
sister were as little concerned for their future as the metal hill of
|
||
Butte itself.
|
||
“Well, what do you know about that?” they cried simultaneously, as Ida
|
||
ushered them into the parlour. “Say, it’s grand!” continued Miss Ruby
|
||
with fervour. “Downright artistic. Ide, you’re a wonder!”
|
||
Miss Pearl, attuned to a subtler manipulation of colour, felt too happy
|
||
in this intimate reunion and the prospect of “home-cooking,” to permit
|
||
even her spirit to grin. “Me for red, kiddo,” she said. “It’s the
|
||
colour a hard workin’ man or woman wants at the end of the day--warm,
|
||
and comfortin’, and sensuous-like, and contrastin’ fine with dirty
|
||
streets and them hills. Glory be, but this chair’s comfortable! I
|
||
suppose it’s Greg’s.”
|
||
“Of course. Luckily a woman don’t have the least trouble findin’ out a
|
||
man’s weak points, and Greg has a few, thank the goodness godness. But
|
||
come on to the dining-room. I’ve got fried chicken and creamed potatoes
|
||
and raised biscuit.”
|
||
The guests shrieked with an abandon that proclaimed them the helpless
|
||
victims of the Butte restaurant or the kitchenette. The fried chicken
|
||
in its rich gravy, and the other delicacies, including fruit salad,
|
||
disappeared so rapidly that there was little chance for the play of
|
||
intellect until the two girls fled laughing to the parlour.
|
||
“It’s all very well for Pearl,” cried Miss Ruby, disposing her plump
|
||
figure in Gregory’s arm-chair, and taking the pins from a mass of red
|
||
hair that had brought her many a customer; “for she’s the kind that’ll
|
||
never have to diet if she gets rich quick. I ought to be shassaying
|
||
round with my hands on my hips right now, but I won’t.”
|
||
Miss Pearl extended herself on the divan, and Ida rocked herself with a
|
||
complacent smile. One of her vanities was slaked, and she experienced a
|
||
sense of immense relief in the society of these two old friends of her
|
||
own sort.
|
||
“Say!” exclaimed Miss Miller, “if we was real swell, now, we’d be
|
||
smokin’ cigarettes.”
|
||
“What!” cried Ida, scandalised. “No lady’d do such a thing. Say, I
|
||
forgot the gum.”
|
||
She opened a drawer and flirted an oblong section of chewing-gum at
|
||
each of her guests, voluptuously inserting a morsel in the back of her
|
||
own mouth. “Where on earth have you seen ladies smokin’ cigarettes?”
|
||
“You forget I’m in and out of some of our best families. In other words
|
||
them that’s too swell--or too lazy--to come to me, has me up to them.
|
||
And they’re just as nice--most of ’em--as they can be; no more airs
|
||
than their men, and often ask me to stay to lunch. I ain’t mentionin’
|
||
no names, as I was asked not to, for you know what an old-fashioned
|
||
bunch there is in every Western town--well, they out with their gold
|
||
tips after lunch, and maybe you think they don’t know how. I have my
|
||
doubts as to their enjoyin’ it, for tobacco is nasty tastin’ stuff, and
|
||
I notice they blow the smoke out quicker’n they take it in. No inhalin’
|
||
for them. But they like _doin’_ it; that’s the point. And I guess they
|
||
do it a lot at the Country Club and at some of the dinners where the
|
||
Old Guard ain’t asked. They smoke, and think it’s vulgar to chew gum!
|
||
We know it’s the other way round.”
|
||
“Well, I guess!” exclaimed the young matron, who had listened to this
|
||
chronicle of high life with her mouth open. “What their husbands
|
||
thinkin’ about to permit such a thing! I can see Greg’s face if I lit
|
||
up.”
|
||
“Oh, their husbands don’t care,” said Pearl, the cynic. “Not in that
|
||
bunch. They’re trained, and they don’t care, anyhow. Make the most of
|
||
Greg now, kiddo. When he strikes it rich, he’ll be just like the rest
|
||
of ’em, annexin’ right and left. Matter of principle.”
|
||
“Principle nothing!” exclaimed Ruby, who, highly sophisticated as any
|
||
young woman earning her living in a mining town must be, was always
|
||
amiable in her cynicism. “It’s too much good food and champagne, to say
|
||
nothin’ of cocktails and highballs and swell club life after the lean
|
||
and hungry years. They’re just like kids turned loose in a candy store,
|
||
helpin’ themselves right and left with both hands. Dear old boys,
|
||
they’re so happy and so jolly you can’t help feelin’ real maternal over
|
||
’em, and spoilin’ ’em some more. I often feel like it, even when they
|
||
lay for me--they look so innocent and hungry-like; but others I could
|
||
crack over the ear, and I don’t say I haven’t. Lord, how a girl alone
|
||
does get to know men! I wouldn’t marry one of them if he’d give me the
|
||
next level of the Anaconda mine. Me for the lonesome!”
|
||
“Well, I’m glad I’m married,” said Ida complacently. “The kind of life
|
||
I want you can only get through a husband. Greg’s goin’ to make money,
|
||
all right.”
|
||
“Greg won’t be as bad as some,” said the wise Miss Ruby. “He’s got big
|
||
ideas, and as he don’t say much about ’em, he’s likely thinkin’ about
|
||
nothin’ else. At least that’s the way I figure him out. The Lord knows
|
||
I’ve seen enough of men. But you watch out just the same. Them long
|
||
thin ones that looks like they was all brains and jaw is often the
|
||
worst. They’ve got more nerves. The minute the grind lets up they begin
|
||
to look out for an adventure, wonderin’ what’s round the next corner.
|
||
Wives ain’t much at supplyin’ adventure----”
|
||
“Well, let’s quit worryin’ about what ain’t happened,” said Miss Pearl
|
||
abruptly. Men did not interest her. “Will he take you to any of the
|
||
dances? That’s what I want to know. You’ve been put up and elected
|
||
to our new and exclusive Club. No more Coliseum Saturday Nights for
|
||
us--Race Track is a good name for it. We’ve taken a new little hall
|
||
over Murphy’s store for Saturday nights till the Gardens open up, and
|
||
we have real fun. No rowdyism. We leave that to the cut below. This
|
||
Club is composed of real nice girls and young men of Butte who are
|
||
workin’ hard at something high-toned and respectable, and frown hard on
|
||
the fast lot.”
|
||
“Sounds fine. Perhaps Greg’ll go, though he studies half the night. Do
|
||
you meet at any other time? Is it one of them mind improvers, too?”
|
||
“Nixie. We work all week and want fun when we get a few hours off. I
|
||
improve my mind readin’ myself to sleep every night----”
|
||
“What do you read?” interrupted Ida, eagerly.
|
||
“Oh, the mags, of course, and a novel now and then. But you don’t need
|
||
novels any more. The mags are wonders! They teach you all the life you
|
||
don’t know--all the way from lords to burglars. Then there’s the movin’
|
||
pictures. Lord, but we have advantages our poor mothers never dreamed
|
||
of!”
|
||
“Greg wants me to study with a teacher.” Ida frowned reminiscently and
|
||
fatidically. “He seems to think I didn’t get nothin’ at school.”
|
||
“Well, what do you know about that?” gasped Miss Miller. Pearl removed
|
||
her gum with a dry laugh.
|
||
“If a man insinuated I wasn’t good enough for him--” she began; Ruby,
|
||
whose quick mind was weather-wise, interrupted her.
|
||
“Greg’s right. He’s got education himself and’s proved he don’t mean
|
||
to be a rancher all his life. What’s more, I’ve heard men say that
|
||
Gregory Compton is bound one way or another to be one of the big men of
|
||
Montana. He’s got the brains, he’s got the jaw, and he can outwork any
|
||
miner that ever struck, and no bad habits. Ide, you go ahead and polish
|
||
up.”
|
||
“Why should I? I never could see that those bonanzerines were so much
|
||
better’n us, barring clothes.”
|
||
“You don’t know the best of ’em, Ide. Madame O’Reilley was too gaudy
|
||
to catch any but the newest bunch. The old pioneer guard is fine,
|
||
and their girls have been educated all over this country and the
|
||
next. Lord! Look at Ora Blake! Where’d you beat her? In these new
|
||
Western towns it’s generally the sudden rich that move to New York to
|
||
die of lonesomeness, and nowhere to show their clothes but Peacock
|
||
Alley in the Waldorf-Astoria. The _real_ people keep their homes
|
||
here, if they are awful restless; and I guess the Society they make,
|
||
with their imported gowns and all, ain’t so very different from top
|
||
Society anywheres. Of course, human nature is human nature, and some
|
||
of the younger married women are sporty and take too much when a
|
||
bunch goes over to Boulder Springs for a lark, or get a crush on some
|
||
other woman’s husband--for want mostly of something to do; but their
|
||
grammar’s all right. I hope you’ll teach them a lesson when you’re on
|
||
top, Ide. Good American morals for me, like good American stories.
|
||
I always skip the Europe stories in the mags. Don’t seem modern and
|
||
human, somehow, after Butte.”
|
||
“Now I like Europe stories,” said Ida, “just because they are so
|
||
different. The people in ’em ain’t walkin’ round over gold and copper
|
||
when they’re dishwashin’ or makin’ love, but their mines have been
|
||
turned centuries ago into castles and pictures and grand old parks.
|
||
There’s a kind of halo----”
|
||
“Halo nothin’!” exclaimed Miss Pearl, who was even more aggressively
|
||
American than her sister. “It’s them ridiculous titles. And kings
|
||
and queens and all that antique lot. I despise ’em, and I’m dead
|
||
set against importin’ foreign notions into God’s own country. We’re
|
||
dyed-in-the-wool Americans--out West here, anyhow--including every last
|
||
one of them fools that’s buyin’ new notions with their new money. All
|
||
their Paris clothes _and_ hats, _and_ smokin’ cigarettes, _and_ loose
|
||
talk can’t make ’em anything else. Apin’ Europe and its antiquated
|
||
morals makes me sick to my stomach. Cut it out, kid, before you go any
|
||
further. Stand by your own country and it’ll stand by you.”
|
||
“Well, I’ve got an answer to that. In the first place I’d like to
|
||
know where you’ll find more girls on the loose than right here in
|
||
Butte--and I don’t mean the sporting women, either. Why, I meet bunches
|
||
of schoolgirls every day so painted up they look as if they was fixin’
|
||
right now to be bad; and as for these Eastern workin’ girls who come
|
||
out here after jobs, pretendin’ it’s less pressure and bigger pay
|
||
they’re after, when it’s really to turn loose and give human nature
|
||
a chance with free spenders--well, the way they hold down their jobs
|
||
and racket about all night beats me. None of _them’s_ been to Europe,
|
||
I notice, and I’d like to bet that the schoolgirls that don’t make
|
||
monkeys of themselves is the daughters of them that has.”
|
||
“Oh, the schoolgirls is just plain little fools and no doubt has their
|
||
faces held under the spout for ’em when they get home. But as for the
|
||
Eastern girls, you hit it when you said they come out here to give
|
||
human nature a chance. Some girls is born bad, thousands and thousands
|
||
of them; and reformers might just as well try to grow strawberries in a
|
||
copper smelter as to make a girl run straight when she is lyin’ awake
|
||
nights thinkin’ up new ways of bein’ crooked. But the rotten girls in
|
||
this town are not the whole show. And lots of women that would never
|
||
think of goin’ wrong--don’t naturally care for that sort of thing a
|
||
bit--just get their minds so mixed up by too much sudden money, and
|
||
liberty, and too much high livin’ and too much Europe and too much
|
||
nothin’ to do, that they just don’t know where they’re at; and it isn’t
|
||
long either before they get to thinkin’ they’re not the dead swell
|
||
thing unless they do what the nobility of Europe seems to be doin’ all
|
||
the time----”
|
||
“Shucks!” interrupted Ruby, indignantly. “It’s just them stories in the
|
||
shady mags, and the way our women talk for the sake of effect. There’s
|
||
bad in America and good in poor old Europe. I’ll bet my new hat on
|
||
it. Only, over there the good is out of sight under all that sportin’
|
||
high life everybody seems to write about. Over here we’ve got a layer
|
||
of good on top as thick as cream, and every kind of germ swimmin’
|
||
round underneath. Lord knows there are plenty of just females in this
|
||
town, of all towns, but the U. S. is all right because it has such
|
||
high standards. All sorts of new-fangled notions come and go but them
|
||
standards never budge. No other country has anything like ’em. Sooner
|
||
or later we’ll catch up. I’m great on settin’ the right example and I’m
|
||
dead set on uplift. That’s one reason we’re so strict about our Club
|
||
membership. Not one of them girls can get in, no matter how good her
|
||
job or how swell a dresser she is. And they feel it, too, you bet. The
|
||
line’s drawn like a barbed-wire fence.”
|
||
“I guess you’re dead right,” admitted Ida. “And my morals ain’t in any
|
||
danger, believe me. I’ve got other fish to fry. I’ve had love’s young
|
||
dream and got over it. I’m just about dead sick of that side of life.
|
||
I’d cut it out and put it down to profit and loss, but you’ve got to
|
||
manage men every way nature’s kindly provided, and that’s all there is
|
||
to it.”
|
||
“My land!” exclaimed Ruby. “If I felt that way about my husband I’d
|
||
leave him too quick.”
|
||
“Oh, no, you wouldn’t. You can make up your mind to any old thing.
|
||
That’s life. And I guess life never holds out both hands full at once.
|
||
Either, one’s got a knife in it or it’s out of sight altogether.”
|
||
Ruby snorted with disgust. “Once more I vow I’ll marry none of them. Me
|
||
for self-respect.”
|
||
“Now as to Europe,” pursued Ida. “You’re just nothin’ till you’ve been,
|
||
both as to what you get, and sayin’ you’ve been there----”
|
||
“Ida,” said Ruby, shaking her wise red head, “don’t you go leaving your
|
||
husband summers, like the rest. Men don’t get much chance to go to
|
||
Europe. They prefer little old New York, anyhow--when they get on there
|
||
alone. I wonder what ten thousand wives that go to Europe every summer
|
||
think their husbands are doin’? I haven’t manicured men for nine years
|
||
without knowin’ they need watchin’ every minute. Why, my lord! they’re
|
||
so tickled to death when summer comes round they can hardly wait to
|
||
kiss their wives good-bye and try to look lonesome on the platform.
|
||
They’d like to be down and kick up their heels right there at the
|
||
station. And I didn’t have to come to Butte to find that out.”
|
||
“Greg’ll never run with that fast lot.”
|
||
“No, but he might meet an affinity; and there’s one of _them_ lyin’ in
|
||
wait for every man.”
|
||
Ida’s brow darkened. “Well, just let her look out for herself, that’s
|
||
all. I’ll hang on to Greg. But it ain’t time to worry yet. Let’s have a
|
||
game of poker.”
|
||
VI
|
||
Gregory, through the offices of his friend, Mark Blake, found a
|
||
teacher for Ida before the end of the week, Mr. William Cullen Whalen,
|
||
Professor of English in the Butte High School.
|
||
Mr. Whalen’s present status was what he was in the habit of designating
|
||
as an ignominious anti-climax, considering his antecedents and
|
||
attainments; but he always dismissed the subject with a vague,
|
||
“Health--health--this altitude--this wonderful air--climate--not for me
|
||
are the terrible extremes of our Atlantic seaboard. Here a man may be
|
||
permitted to live, if not in the deeper sense--well, at least, there
|
||
are always one’s thoughts--and books.”
|
||
He was a delicate little man as a matter of fact, but had East winds
|
||
and summer humidities been negligible he would have jumped at the
|
||
position found for him by a college friend who had gone West and
|
||
prospered in Montana. This friend’s letter had much to say about the
|
||
dry tonic air of winter, the cool light air of summer, the many hours
|
||
he would be able to pass in the open, thus deepening the colour of his
|
||
corpuscles, at present a depressing shade of pink; but even more about
|
||
a salary far in excess of anything lying round loose in the East. Mr.
|
||
Whalen, who, since his graduation from the college in his native town,
|
||
had knocked upon several historic portals of learning in vain, finding
|
||
himself invariably outclassed, had shuddered, but accepted his fate by
|
||
the outgoing mail. Of course he despised the West; and the mere thought
|
||
of a mining camp like Butte, which was probably in a drunken uproar
|
||
all the time, almost nauseated him. However, in such an outpost the
|
||
graduate of an Eastern college who knew how to wear his clothes must
|
||
rank high above his colleagues. It might be years before he could play
|
||
a similar rôle at home. So he packed his wardrobe, which included spats
|
||
and a silk hat, and went.
|
||
Nature compensates even her comparative failures by endowing them with
|
||
a deathless self-conceit. Whalen was a man of small abilities, itching
|
||
ambition, all the education his brains could stand, and almost happy
|
||
in being himself and a Whalen. It was true that Fortune had grafted
|
||
him on a well-nigh sapless branch in a small provincial town, while
|
||
the family trunk flourished, green, pruned, and portly, in Boston, but
|
||
no such trifle could alter the fact that he was a Whalen, and destined
|
||
by a discriminating heredity to add to the small but precious bulk of
|
||
America’s literature. Although he found Butte a city of some sixty
|
||
thousand inhabitants, and far better behaved than he had believed could
|
||
be possible in a community employing some fifteen thousand miners, he
|
||
was still able to reassure himself that she outraged every sensibility.
|
||
He assured himself further that its lurid contrasts to the higher
|
||
civilisation would play like a search-light upon the theme for a novel
|
||
he long had had in mind: the subtle actions and reactions of the Boston
|
||
temperament.
|
||
But that was three years ago, and meanwhile several things had happened
|
||
to him. He had ceased to wear his spats and silk hat in public after
|
||
their first appearance on Broadway; the newsboys, who were on strike,
|
||
had seen to that. He wrote his novel, and the _Atlantic Monthly_,
|
||
honored by the first place on his list, declined to give space to his
|
||
innocent plagiarisms of certain anæmic if literary authors now passing
|
||
into history. An agent sent the manuscript the rounds without avail,
|
||
but one of the younger editors had suggested that he try his hand at
|
||
Montana. He was more shocked and mortified at this proposition than
|
||
at the failure of his novel. Time, however, as well as the high cost
|
||
of living in Butte, lent him a grudging philosophy, and he digested
|
||
the advice. But his were not the eyes that see. The printed page was
|
||
his world, his immediate environment but a caricature of the subtle
|
||
realities. Nevertheless, he had what so often appears in the most
|
||
unlikely brains, the story-telling kink. Given an incident he could
|
||
work it up with an abundance of detail and “psychology,” easily
|
||
blue-pencilled, and a certain illusion. Condescend to translate his
|
||
present surroundings into the sacred realm of American fiction he would
|
||
not, but he picked the brains of old-timers for thrilling incidents of
|
||
the days when gold was found at the roots of grass, and the pioneers
|
||
either were terrorized by the lawless element or executed upon it a
|
||
summary and awful justice. Some of his tales were so blood-curdling,
|
||
so steeped in gore and horror, that he felt almost alive when writing
|
||
them. It was true that their market was the Sunday Supplement and the
|
||
more sensational magazines, whose paper and type made his soul turn
|
||
green; but the pay was excellent, and they had begun to attract some
|
||
attention, owing to the contrast between the fierceness of theme and
|
||
the neat precise English in which it was served. Butte valued him as a
|
||
counter-irritant to Mary McLane, and he became a professional diner-out.
|
||
“Do you think he’ll condescend to tutor?” Gregory had asked of Blake.
|
||
Whalen was by no means unknown to him, but heretofore had been regarded
|
||
as a mere worm.
|
||
“Sure thing. Nobody keener on the dollar than Whalen. He’ll stick you,
|
||
but he knows his business. He’s got all the words there are, puts ’em
|
||
in the right place, and tones ’em up so you’d hardly know them.”
|
||
VII
|
||
Ida was out when her prospective tutor called, and she was deeply
|
||
impressed by the card she found under the door: “Mr. William Cullen
|
||
Whalen,” it was inscribed.
|
||
It was the custom of the gentlemen of her acquaintance to express
|
||
their sense of good fellowship even upon the formal pasteboard. “Mr.
|
||
Matt Dance,” “Mr. Phil Mott,” “Mr. Bill Jarvis,” the legends read. Ida
|
||
felt as if she were reciting a line from the Eastern creed as her lips
|
||
formed again and again the suave and labial syllables on her visitor’s
|
||
card. She promptly determined to order cards for her husband on the
|
||
morrow--he was so remiss as to have none--and they should be engraved,
|
||
in small Roman letters: “Mr. Gregory Verrooy Compton.”
|
||
“And believe me,” she announced to her green dining-room, as she sat
|
||
down before her husband’s desk, “that is some name.”
|
||
Her note to Professor Whalen, asking him to call on the following
|
||
afternoon at two o’clock, was commendably brief, so impatient was she
|
||
to arrive at the signature, “Mrs. Gregory Verrooy Compton;” little
|
||
conceiving the effect it would have upon Mr. Whalen’s fastidious spine.
|
||
He called at the hour named, and Ida invited him into the dining-room.
|
||
It was here that Gregory read far into the night, and she vaguely
|
||
associated a large table with much erudition. Moreover, she prided
|
||
herself upon her economy in fuel.
|
||
Mr. Whalen sat in one of the hard, upright chairs, his stick across
|
||
his knee, his gloves laid smartly in the rolling brim of his hat,
|
||
studying this new specimen and wondering if she could be made to do him
|
||
credit. He was surprised to find her so beautiful, and not unrefined in
|
||
style--if only she possessed the acumen to keep her ripe mouth shut.
|
||
In fact he found her quite the prettiest woman he had seen in Butte,
|
||
famous for pretty women; and--and--he searched conscientiously for the
|
||
right word, and blushed as he found it--the most seductive. Ida was
|
||
vain of the fact that she wore no corset, and that not the least of her
|
||
attractions was a waist as flexible as an acrobat’s. What flesh she had
|
||
was very firm, her carriage was easy and graceful, the muscles of her
|
||
back were strong, her lines long and flowing; she walked and moved at
|
||
all times with an undulating movement usually associated with a warmer
|
||
temperament. But nature often amuses herself bestowing the semblance
|
||
and withholding the essence; Ida, calculating and contemptuous of the
|
||
facile passions of men, amused herself with them, confident of her own
|
||
immunity.
|
||
It was now some time since she had enjoyed the admiration of any man
|
||
but her husband, and his grew more and more sporadic, was long since
|
||
dry of novelty. Like most Western husbands, he would not have permitted
|
||
her to make a friend of any other man, nor even to receive the casual
|
||
admirer when he was not at home. Ida was full of vanity, although she
|
||
would have expressed her sudden determination to captivate “little
|
||
Whalen” merely as a desire to keep her hand in. He was the only man
|
||
upon whom she was likely to practise at present (for Gregory would have
|
||
none of the Club dances), and vanity can thirst like a galled palate.
|
||
She had “sized him up” as a “squirt” (poor Ida! little she recked how
|
||
soon she was to be stripped of her picturesque vocabulary), but he was
|
||
“a long sight better than nothing.”
|
||
After they had exhausted the nipping weather, and the possibility of a
|
||
Chinook arriving before night--there was a humming roar high overheard
|
||
at the moment--she lowered her black eyelashes, lifted herself against
|
||
the stiff back of her chair with the motion of a snake uncoiling,
|
||
raised her thick white lids suddenly, and murmured:
|
||
“Well, so you’re goin’ to polish me off? Tell me all my faults! Fire
|
||
away. I know you’ll make a grand success of it. Lord knows (her voice
|
||
became as sweet as honey), you’re different enough from the other men
|
||
in this jay town.”
|
||
Mr. Whalen felt as if he were being drenched with honey dew, for he
|
||
was the type of man whom women take no trouble to educate. But as that
|
||
sweet unmodulated voice stole about his ear porches he drew himself up
|
||
stiffly, conscious of a thrill of fear. To become enamoured of the
|
||
wife of one of these forthright Westerners, who took the law into
|
||
their own hands, was no part of his gentle programme; but he stared
|
||
at her fascinated, never having felt anything resembling a thrill
|
||
before. Moreover, like all people of weak passions, more particularly
|
||
that type of American that hasn’t any, he took pride in his powers
|
||
of self-control. In a moment he threw off the baleful influence and
|
||
replied drily.
|
||
“I think the lessons would better be oral for a time. Do--do I
|
||
understand that I am to correct your individual method of expression?”
|
||
“That’s it, I guess.”
|
||
“And you won’t be offended?” Mr. Whalen’s upper teeth were hemispheric,
|
||
but he had cultivated a paternal and not unpleasing smile. Even the
|
||
pale blue orbs, fixed defiantly upon the siren, warmed a trifle.
|
||
“Well. I don’t s’pose I’ll like bein’ corrected better’n the next,
|
||
but that’s what I’m payin’ for. Now that my husband’s studyin’ for a
|
||
profession, I guess I’ll be in the top set before so very long. There’s
|
||
Mrs. Blake, for instance--her husband told Mr. Compton she’d call this
|
||
week. Is she all that she’s cracked up to be?”
|
||
“Mrs. Blake has had great advantages. She might almost be one of
|
||
our own products, were it not for the fact that she--well--seems
|
||
deliberately to wish to be Western.” He found himself growing more and
|
||
more confused under the steady regard of those limpid shadowy eyes--set
|
||
like the eyes of a goddess in marble, and so disconcertingly shallow.
|
||
He pulled himself up sharply. “Now, if I may begin--you must not sign
|
||
your notes, ‘Mrs. Gregory Verrooy Compton’----”
|
||
Ida’s eyes flashed wide open. “Why not, I’d like to know? Isn’t it as
|
||
good a name as yours?”
|
||
“What has that to do with it? Ah--yes--you don’t quite understand. It
|
||
is not the custom--in what we call society--to sign in that manner--it
|
||
is a regrettable American provincialism. If you really wish to
|
||
learn----”
|
||
“Fire away,” said Ida sullenly.
|
||
“Sign your own name--may I ask what it is?”
|
||
“My name was Ida Maria Hook before I married.”
|
||
“Ida is a beautiful and classic name. We will eliminate the rest. Sign
|
||
yourself Ida Compton--or if you wish to be more swagger, Ida Verrooy
|
||
Compton----”
|
||
“Land’s sake! We’d be laughed clean out of Montana.”
|
||
“Yes, there is a fine primitive simplicity about many things in this
|
||
region,” replied Mr. Whalen, thinking of his spats and silk hat. “But
|
||
you get my point?”
|
||
“I get you.”
|
||
“Oh!--We’ll have a little talk later about slang. And you mustn’t begin
|
||
your letters, particularly to an acquaintance, ‘Dear friend.’ This is
|
||
an idealistic and--ah--bucolic custom, but hardly good form.”
|
||
He was deeply annoyed at his lack of fluency, but Ida once more was
|
||
deliberately “upsetting” him. She smiled indulgently.
|
||
“I guess I like your new-fangled notions. I’ll write all that down
|
||
while you’re thinkin’ up what to say next.”
|
||
She leaned over the table and wrote slowly that he might have leisure
|
||
to admire her figure in profile. But he gazed sternly out of the window
|
||
until she swayed back to the perpendicular and demanded,
|
||
“What next? Do you want me to say băth and căn’t?”
|
||
“Oh, no, I really shouldn’t advise it, not in Butte. I don’t wish to
|
||
teach you anything that will add to the discomforts of life--so long as
|
||
your lines are cast here. Just modify the lamentably short American _a_
|
||
a bit.” And he rehearsed her for a few moments.
|
||
“Fine. I’ll try it on Greg--Mr. Compton. If he laughs I’ll know I’m too
|
||
good, but if he only puckers his eyebrows and looks as if somethin’
|
||
queer was floatin’ round just out of sight, then I’ll know I’ve struck
|
||
the happy medium. I’ll be a real high-brow in less than no time.”
|
||
“You certainly are surprisingly quick,” said Professor Whalen
|
||
handsomely. “In a year I could equip you for our centres of culture,
|
||
but as I remarked just now it would not be kind to transform you into
|
||
an exotic. Now, suppose we read a few pages of this grammar----”
|
||
“I studied grammar at school,” interrupted Ida haughtily. “What do
|
||
you take Butte for, anyhow. It may be a mining camp, and jay enough
|
||
compared with your old Boston, but I guess we learn something mor’n the
|
||
alphabet at all these big red brick schoolhouses we’ve got--Montana’s
|
||
famous for its grand schoolhouses----”
|
||
“Yes, yes, my dear Mrs. Compton. But, you know, one forgets so quickly.
|
||
And then so many of you don’t stay in school long enough. How old were
|
||
you when you left?”
|
||
“Fifteen. Ma wouldn’t let me go to the High.”
|
||
“Precisely. Well, I will adhere to my original purpose, and defer
|
||
books until our next lesson. Perhaps you would like me to tell you
|
||
something more of our Eastern methods of speech--not only words,
|
||
but--er--syntax----”
|
||
“Oh, hang your old East! You make me feel downright patriotic.”
|
||
Professor Whalen was conscious that it was a distinct pleasure to make
|
||
those fine eyes flash. “One would think we were not all Americans,” he
|
||
said with a smile.
|
||
“Well, I guess you look upon America as East and West too. Loads of
|
||
young surveyors and mining men come out here to make their pile, and at
|
||
first Montana ain’t good enough to black their boots, but it soon takes
|
||
the starch out of ’em. No use puttin’ on dog here. It don’t work.”
|
||
“Oh, I assure you it’s merely a difference of manner--of--er tradition.
|
||
We--and I in particular--find your West most interesting--and
|
||
significant. I--ah--regard it as the great furnace under our
|
||
civilization.”
|
||
“And we are the stokers! I like your impudence!”
|
||
He had no desire to lose this remunerative pupil, whose crude mind
|
||
worked more quickly than his own. She was now really angry and he made
|
||
a mild dive in search of his admitted tact.
|
||
“My dear lady, you put words into my mouth that emanate from your own
|
||
clever brain, not from my merely pedantic one. Not only have I the
|
||
highest respect for the West, and for Montana in particular, but please
|
||
remember that the contempt of the East for the West is merely passive,
|
||
negative, when compared with the lurid scorn of the West for the East.
|
||
‘Effete’ is its mildest term of opprobrium. I doubt if your ‘virile’
|
||
Westerner believes us to be really alive, in a condition to inhabit
|
||
aught but a museum. Your men when they ‘make their pile’, or take a
|
||
vacation, never dream of going to Boston, seldom, indeed, to Europe.
|
||
They take the fastest train for New York--and by no means with a view
|
||
to exploring that wilderness for its oases of culture----”
|
||
“Well, I guess not!” cried Ida, her easy good nature restored.
|
||
“All-night restaurants, something new in the way of girls--‘chickens’
|
||
and ‘squabs’--musical shows, watchin’ the sun rise--that’s their
|
||
little old New York. They always come home shakin’ themselves like a
|
||
Newfoundland puppy, or purrin’ like a cat full of cream, but talkin’
|
||
about the Great Free West, God’s Own Country, and the Big Western
|
||
Heart. I’ve a friend who does manicurin’, and she knows ’em like old
|
||
shoes.”
|
||
Whalen, who had a slight cultivated sense of humor, laughed. “You are
|
||
indeed most apt and picturesque, dear Mrs. Compton. But--while I think
|
||
of it--you mustn’t drop your final _gs_. That, I am told, is one of the
|
||
fashionable divagations of the British aristocracy. But with us it is
|
||
the hallmark of the uneducated. Now, I really have told you all you can
|
||
remember for one day, and will take my leave. It is to be every other
|
||
day, I understand. On Wednesday, then, at two?”
|
||
VIII
|
||
Ida walked to the gate with him. She was quite a head taller than he,
|
||
but subtly made him feel that the advantage was his, as it enabled
|
||
her to pour the light of her eyes downward. He picked his way up the
|
||
uneven surface of East Granite Street, slippery with a recent fall of
|
||
snow, not only disturbed, but filled with a new conceit; in other words
|
||
thrilling with his first full sense of manhood.
|
||
Ida looked after him, smiling broadly. But the smile fled abruptly,
|
||
her lips trembled, then contracted. Advancing down the street was
|
||
Mrs. Mark Blake. Ida had known her enterprising young husband before
|
||
he changed his name from Mike to Mark, but she knew his lady wife by
|
||
sight only; Mrs. Blake had not patronized Madame O’Reilley. Ruby and
|
||
Pearl pronounced her “all right”, although a trifle “proud to look
|
||
at.” Ida assumed that she was to receive the promised call, and wished
|
||
she could “get out of it.” Not only did she long for her rocker, gum
|
||
and magazine, after the intellectual strain of the past hour, but she
|
||
had no desire to meet Mrs. Blake or any of “that crowd” until she
|
||
could take her place as their equal. She had her full share of what is
|
||
known as class-consciousness, and its peculiar form of snobbery. To be
|
||
patronized by “swells”, even to be asked to their parties, would give
|
||
her none of that subtle joy peculiar to the climbing snob. When the
|
||
inevitable moment came she would burst upon them, dazzle them, bulldoze
|
||
and lead them, but she wanted none of their crumbs.
|
||
But she was “in for it.” She hastily felt the back of her shirtwaist
|
||
to ascertain if it still were properly adjusted, and sauntered towards
|
||
the cottage humming a tune, pretending not to have seen the lady who
|
||
stopped to have a word with Professor Whalen. “Anyhow, she’s not a
|
||
bonanzerine,” thought Ida. “I guess she did considerable scrapin’ at
|
||
one time; and Mark, for all he could make shoe-blackin’ look like
|
||
molasses, ain’t a millionaire yet.”
|
||
She might indeed, further reflected Ida, watching the smartly tailored
|
||
figure out of the corner of her eye, be pitied, for she had been
|
||
“brought up rich, expecting to marry a duke, and then come down kaplunk
|
||
before she’d much more’n a chance to grow up.” Her father, Judge
|
||
Stratton, a graduate of Columbia University, had been one of the most
|
||
brilliant and unscrupulous lawyers of the Northwest. He had drawn
|
||
enormous fees from railroads and corporations, and in the historic
|
||
Clark-Daly duels for supremacy in the State of Montana, and in the
|
||
more picturesque battle between F. Augustus Heinze and “Amalgamated”
|
||
(that lusty offspring of the great Standard Oil Trust), when the number
|
||
of estimable citizens bought and sold demonstrated the faint impress
|
||
of time on original sin, his legal acumen and persuasive tongue, his
|
||
vitriolic pen, ever had been at the disposal of the highest bidder.
|
||
He had been a distinguished resident of Butte but a few years when he
|
||
built himself a spacious if hideous residence on the West Side. But
|
||
this must have been out of pure loyalty to his adopted state, for it
|
||
was seldom occupied, although furnished in the worst style of the late
|
||
seventies and early eighties. Mrs. Stratton and her daughter spent
|
||
the greater part of their time in Europe. As Judge Stratton disliked
|
||
his wife, was intensely ambitious for his only child, and preferred
|
||
the comforts of his smaller home on The Flat, he rarely recalled his
|
||
legitimate family, and made them a lavish allowance. He died abruptly
|
||
of apoplexy, and left nothing but a life insurance of five thousand
|
||
dollars; he had neglected to take out any until his blood vessels were
|
||
too brittle for a higher risk.
|
||
Mrs. Stratton promptly became an invalid, and Ora brought her home to
|
||
Butte, hoping to save something from the wreck. There was nothing to
|
||
save. As she had not known of the life insurance when they received the
|
||
curt cablegram in Paris, she had sold all of her mother’s jewels save a
|
||
string of pearls, and, when what was left of this irrelative sum after
|
||
the luxurious journey over sea and land, was added to the policy, the
|
||
capital of these two still bewildered women represented little more
|
||
than they had been accustomed to spend in six months. When Mark Blake,
|
||
who had studied law in Judge Stratton’s office after graduating from
|
||
the High School, and now seemed to be in a fair way to inherit the
|
||
business, besides being County Attorney at the moment, implored Ora
|
||
to marry him, and manifested an almost equal devotion to her mother,
|
||
whom he had ranked with the queens of history books since boyhood, she
|
||
accepted him as the obvious solution of her problem.
|
||
She was lonely, disappointed, mortified, a bit frightened. She
|
||
had lived the life of the average American princess, and although
|
||
accomplished had specialised in nothing; nor given a thought to the
|
||
future. As she had cared little for the society for which her mother
|
||
lived, and much for books, music, and other arts, and had talked
|
||
eagerly with the few highly specialised men she was fortunate enough
|
||
to meet, she had assumed that she was clever. She also believed that
|
||
when she had assuaged somewhat her appetite for the intellectual and
|
||
artistic banquet the gifted of the ages had provided, she might develop
|
||
a character and personality, possibly a gift of her own. But she was
|
||
only twenty when her indulgent father died, and, still gorging herself,
|
||
was barely interested in her capacities other than receptive, less
|
||
still in the young men that sought her, unterrified by her reputation
|
||
for brains. She fancied that she should marry when she was about
|
||
twenty-eight, and have a salon somewhere; and the fact that love had
|
||
played so little a part in her dreams made it easier to contemplate
|
||
marriage with this old friend of her childhood. His mother had been
|
||
Mrs. Stratton’s seamstress, to be sure, but as he was a good boy,--he
|
||
called for the frail little woman every evening to protect her from
|
||
roughs on her long walk east to the cottage her husband had built
|
||
shortly before he was blown to pieces somewhere inside of Butte--he
|
||
had been permitted to hold the dainty Ora on his knee, or toss her,
|
||
gurgling with delight, into the air until he puffed.
|
||
Mark had been a fat boy, and was now a fat young man with a round
|
||
rosy face and a rolling lazy gait. He possessed an eye of remarkable
|
||
shrewdness, however, was making money rapidly, never lost sight of
|
||
the main chance, and was not in the least surprised when his marriage
|
||
lifted him to the pinnacle of Butte society. In spite of his amiable
|
||
weaknesses, he was honest if sharp, an inalienable friend, and he
|
||
made a good husband according to his lights. Being a man’s man, and
|
||
naturally elated at his election to the exclusive Silver Bow Club soon
|
||
after his marriage to the snow maiden of his youthful dreams, he
|
||
formed the habit of dropping in for a game of billiards every afternoon
|
||
on his way home, and returning for another after dinner. But within
|
||
three years he was able to present the wife of whom he was inordinately
|
||
proud with a comfortable home on the West Side, and he made her an
|
||
allowance of ever increasing proportions.
|
||
Ora, who had her own idea of a bargain, had never complained of
|
||
neglect nor intimated that she found anything in him that savoured of
|
||
imperfection. She had accepted him as a provider, and as he filled this
|
||
part of the contract brilliantly, she felt that to treat him to scenes
|
||
whose only excuse was outraged love or jealousy, would be both unjust
|
||
and absurd. Moreover, his growing passion for his club was an immense
|
||
relief after his somewhat prolonged term of marital uxoriousness, and
|
||
as her mother died almost coincidentally with the abridgment of Mr.
|
||
Blake’s home life, Ora returned to her studies, rode or walked for
|
||
hours, and, after her double period of mourning was over, danced two or
|
||
three times a week in the season, or sat out dances when she met a man
|
||
that had cultivated his intellect. For women she cared little.
|
||
It never occurred to Mark to be jealous of his passionless wife,
|
||
although he would have asserted his authority if she had received men
|
||
alone in the afternoon. But Ora paid a scrupulous deference to his
|
||
wishes in all respects. She even taught herself to keep house, and
|
||
her servants manners as well as the elements of edible cooking. This
|
||
she regarded as her proudest feat, for she frankly hated the domestic
|
||
details of life; although after three years in a “Block”,--a sublimated
|
||
lodging house, peculiar to the Northwest--she enjoyed the space and
|
||
privacy of her home. Mark told his friends that his wife was the most
|
||
remarkable woman in Montana, rarely found fault, save in the purely
|
||
mechanical fashion of the married male, and paid the bills without a
|
||
murmur. Altogether it was a reasonably happy marriage.
|
||
Ora Blake’s attitude to life at this time was expressed in the buoyancy
|
||
of her step, the haughty carriage of her head, the cool bright
|
||
casual glance she bestowed upon the world in general. Her code of
|
||
morals, ethics, manners, as well as her acceptance of the last set of
|
||
conditions she would have picked from the hands of Fate, was summed up
|
||
in two words: _noblesse oblige_. Of her depths she knew as little as
|
||
Gregory Compton of his.
|
||
“This is Mrs. Compton, I am sure,” she said in her cool even voice, as
|
||
she came up behind the elaborately unconscious and humming Ida. “I am
|
||
Mrs. Blake.”
|
||
“Pleased to meet you,” said Ida formally, extending a limp hand. “Come
|
||
on inside.”
|
||
Mrs. Blake closed her eyes as she entered the parlour, but opened them
|
||
before Ida had adjusted the blower to the grate, and exclaimed brightly:
|
||
“How clever of you to settle so quickly. I shouldn’t have dared to call
|
||
for another fortnight, but Mr. Compton told my husband yesterday that
|
||
you were quite in order. It was three months before I dared open my
|
||
doors.”
|
||
“Well,” drawled Ida, rocking herself, “I guess your friends are more
|
||
critical than mine. And I guess you didn’t rely wholly on Butte for
|
||
your furniture. I had Ma’s old junk, and the rest cost me just two
|
||
hundred dollars.”
|
||
“How very clever of you!” But although Mrs. Blake was doing her best to
|
||
be spontaneous and impressed, Ida knew instantly that she had committed
|
||
a solecism, and felt both angry and apprehensive. She was more afraid
|
||
of this young woman than of her professor. Once more she wished that
|
||
Mrs. Blake and the whole caboodle would leave her alone till she was
|
||
good and ready.
|
||
Ora hastened on to a safer topic, local politics. Butte, tired of
|
||
grafting politicians, was considering the experiment of permitting a
|
||
Socialist of good standing to be elected mayor. Ida, like all women of
|
||
the smaller Western towns, was interested in local politics, and, glad
|
||
of the impersonal topic, gave her visitor intelligent encouragement,
|
||
the while she examined her critically. She finally summed her up in
|
||
the word “pasty”, and at that stage of Ora Blake’s development the
|
||
description was not inapt. She took little or no interest in her looks,
|
||
although she dressed well by instinct; and nature, supplemented by
|
||
her mother, had given her style. But her hair was almost colourless
|
||
and worn in a tight knot just above her neck, her complexion was
|
||
weather-beaten, her lips rather pale, and her body very thin. But when
|
||
men whose first glance had been casual turned suddenly, wondering
|
||
at themselves, to examine that face so lacking in the potencies of
|
||
colouring, they discovered that the eyes, deeply set and far apart,
|
||
were of a deep dark blazing grey, that the nose was straight and fine,
|
||
the ears small, the mouth mobile, with a slight downward droop at the
|
||
corners; also that her hands and feet were very slender, with delicate
|
||
wrists and ankles. Ida, too, noted these points, but wondered where her
|
||
“charm” came from. She knew that Mrs. Blake possessed this vague but
|
||
desirable quality, in spite of her dread reputation as a “high-brow”,
|
||
and her impersonal attitude toward men.
|
||
Ruby had informed her that the men agreed she had charm if she would
|
||
only condescend to exert it. “And I can feel it too,” she had added,
|
||
“every time I do her nails--she never lets anyone do that hair of hers
|
||
or give her a massage, which she needs, the Lord knows. But she’s got
|
||
fascination, magnetism, whatever you like to call it, for all she’s so
|
||
washed-out. Somehow, I always feel that if she’d wake up, get on to
|
||
herself, she’d play the devil with men, maybe with herself.”
|
||
Ida recalled the comments of the wise Miss Miller and frowned. This
|
||
important feminine equipment she knew to be her very own, and although
|
||
she would have been proud to admit the rivalry of a beautiful woman,
|
||
she felt a sense of mortification in sharing that most subtle and
|
||
fateful of all gifts, sex-magnetism, with one so colourless and
|
||
plain. That the gifts possessed by this woman talking with such
|
||
well-bred indifference of local affairs must be far more subtle than
|
||
her own irritated her still more. It also filled her with a vague
|
||
sense of menace, almost of helplessness. Later, when her brain was
|
||
more accustomed to analysis, she knew that she had divined--her
|
||
consciousness at that time too thick to formulate the promptings of
|
||
instinct--that when man is taken unawares he is held more firmly
|
||
captive.
|
||
Ida, staring into those brilliant powerful eyes, felt a sudden
|
||
desperate need to dive through their depths into this woman’s secret
|
||
mind, to know her better at once, get rid of the sense of mystery that
|
||
baffled and oppressed her. In short she must know where she was at
|
||
and know it quick. It did not strike her until afterward as odd that
|
||
she should have felt so intensely personal in regard to a woman whose
|
||
sphere was not hers and whose orbit had but just crossed her own.
|
||
For a time she floundered, but feminine instinct prompted the intimate
|
||
note.
|
||
“I saw you talkin’--talking to the professor,” she said casually. “I
|
||
suppose you know your husband got him for me.”
|
||
“I arranged it myself--” began Mrs. Blake, smiling, but Ida interrupted
|
||
her sharply:
|
||
“Greg--Mr. Compton didn’t tell me he had talked to you about it.”
|
||
“Nor did he. I have had the pleasure of meeting Mr. Compton but
|
||
once--the day I married; he was my husband’s best man. Mark never
|
||
can get him to come to the house, hardly to the club. But my husband
|
||
naturally would turn over such a commission to me. I hope you found the
|
||
little professor satisfactory.”
|
||
“He’ll do, I guess. He knows an awful lot, and I have a pretty good
|
||
memory. But to get--and practice--it all--well, I guess that takes
|
||
years.” She imbued her tones with a pathetic wistfulness, and gazed
|
||
upon her visitor with ingenuous eyes, brimming with admiration. “It
|
||
must be just grand to have got all that education, and to have lived in
|
||
Europe while you were growing up. Nothing later on that you can get is
|
||
the same, I guess. You look just about as polished off as I look raw.”
|
||
“Oh! No! No!” cried Ora deprecatingly, her cheeks flooding with a
|
||
delicate pink that made her look very young and feminine. She had begun
|
||
by disliking this dreadfully common person, but not only was she by
|
||
no means as innocent of vanity as she had been trying for years to
|
||
believe, but she was almost emotionally swift to respond to the genuine
|
||
appeal. And, clever as she was, it was not difficult to delude her.
|
||
“Of course I had advantages that I am grateful for, but I have a theory
|
||
that it is never too late to begin. And you are so young--a few months
|
||
of our professor--are you really ambitious?”
|
||
“You bet.” Ida committed herself no further at the moment.
|
||
“Then you will enjoy study--expanding and furnishing your mind. It is
|
||
a wonderful sensation!” Mrs. Blake’s eyes were flashing now, her mouth
|
||
was soft, her strong little chin with that cleft which always suggests
|
||
a whirlpool, was lifted as if she were drinking. “The moment you are
|
||
conscious that you are using the magic keys to the great storehouses
|
||
of the world, its arts, its sciences, its records of the past--when
|
||
you begin to help yourself with both hands and pack it away in your
|
||
memory--always something new--when you realise that the store is
|
||
inexhaustible--that in study at least there is no ennui--Oh, I can give
|
||
you no idea of what it all means--you will find it out for yourself!”
|
||
“Jimminy!” thought Ida. “I guess not! But that ain’t where her charm
|
||
for men comes from, you bet!” Aloud she said, with awe in her voice:
|
||
“No wonder you know so much when you like it like that. But don’t it
|
||
make you--well--kinder lonesome?”
|
||
“Sometimes--lately----” Mrs. Blake pulled herself up with a deep blush.
|
||
“It has meant everything to me, that mental life, and it always shall!”
|
||
The astute Ida noted the defiant ring in her voice, and plunged in. “I
|
||
wonder now? Say, you’re a pretty woman and a young one, and they say
|
||
men would go head over ears about you if you’d give ’em a show. You’ve
|
||
got a busy husband and so have I. Husbands don’t companion much and you
|
||
can’t make me believe learning’s all. Don’t you wish these American
|
||
Turks of husbands would let us have a man friend occasionally? They
|
||
say that in high society in the East and in Europe, the women have all
|
||
the men come to call on them afternoons they like, but the ordinary
|
||
American husband, and particularly out West--Lord! When a woman has a
|
||
man call on her, she’s about ready to split with her husband--belongs
|
||
to the fast set--and he’s quail hunting somewheres else. Of course I’ve
|
||
known Mark all my life--and you who was--were brought up in the real
|
||
world--it must be awful hard on you. Wouldn’t you like to try your
|
||
power once in a while, see how far you could go--just for fun? I guess
|
||
you’re not shocked?”
|
||
“No, I’m not shocked,” said Ora, laughing. “But I don’t believe men
|
||
interest me very much in that way--although, heaven knows, there are
|
||
few more delightful sensations than talking to a man who makes you feel
|
||
as if your brain were on fire. I don’t think I care to have American
|
||
men, at least, become interested in me in any other way. In Europe----”
|
||
She hesitated, and Ida leaned forward eagerly.
|
||
“Oh, do tell me, Mrs. Blake! I don’t know a blamed thing. I’ve never
|
||
been outside of Montana.”
|
||
“Well--I mean--the American man takes love too seriously. I suppose
|
||
it is because he is so busy--he has to take life so seriously. He
|
||
specialises intensely. It is all or nothing with him. Of course I
|
||
am talking about love. When they play about, it is generally with a
|
||
class of women of which we have no personal knowledge. The European,
|
||
with his larger leisure, and generations of leisure in his brain, his
|
||
interest in everything, and knowledge of many things,--above all of the
|
||
world,--has reduced gallantry to a fine art. He may give his fancy, his
|
||
sentiment, his passion, even his leisure, to one woman at a time, but
|
||
his heart--well, unless he is very young--that remains quite intact.
|
||
Love is the game of his life with a change of partner at reasonable
|
||
intervals. In other words he is far too accomplished and sophisticated
|
||
to be romantic. Now, your American man, although he looks the reverse
|
||
of romantic, and is always afraid of making a fool of himself, when
|
||
he does fall in love with a woman--say, across a legal barrier--must
|
||
annihilate the barrier at once; in other words, elope or rush to the
|
||
divorce court. It isn’t that he is more averse from a liaison than the
|
||
European, but more thorough. It is all or nothing. In many respects he
|
||
is far finer than the European, but he makes for turmoil, and, less
|
||
subtle, he fails to hold our interest.”
|
||
“You mean he don’t keep us guessing? Well, you’re right about most of
|
||
them. I never saw a boy I couldn’t read like a page ad., until I met
|
||
my husband. I thought I knew him, too, till I’d been married to him
|
||
awhile. But, my land, he gets deeper every minute. I guess if I hadn’t
|
||
married him he’d have kidnapped me, he was that gone, and forgetting
|
||
anything else existed. Of course, I didn’t expect that to last, but I
|
||
did think he’d go on being transparent. But, believe me, the Sphinx
|
||
ain’t a patch on him. I sometimes think I don’t know him at all, and
|
||
that keeps me interested.”
|
||
“I should think it might!” exclaimed Mrs. Blake, thinking of her own
|
||
standard possession. “But then Mr. Compton is a hard student, and
|
||
is said to have a voracious as well as a brilliant mind. No doubt
|
||
that is the secret of what appears on the surface as complexity and
|
||
secretiveness. I know the symptoms!”
|
||
“P’raps. But--well, I live with him, and I suspicion otherwise. I
|
||
suspect him of having as many kind of leads, and cross-cuts, and
|
||
‘pockets’, and veins full of different kinds of ore in him as we’ve
|
||
got right under our feet in Butte Hill. Do you think”--she spoke with
|
||
a charming wistfulness--“that when I know more, have opened up and let
|
||
out my top story, as it were, I shall understand him better?”
|
||
And again Ora responded warmly, “Indeed, yes, dear Mrs. Compton.
|
||
It isn’t so much what you put into your mind--it’s more the reflex
|
||
action of that personal collection in developing not only the mental
|
||
faculties, but one’s intuitions, one’s power to understand others--even
|
||
one whose interests are different, or whose knowledge is infinitely
|
||
greater than our own.”
|
||
“I believe you could even understand Greg!” Ida spoke involuntarily and
|
||
stared with real admiration at the quickened face with its pink cheeks
|
||
and flashing eyes, its childish mobile mouth. Ora at the moment looked
|
||
beautiful. Suddenly Ida felt as if half-drowned in a wave of ambiguous
|
||
terror. She sat up very straight.
|
||
“I guess you’re right,” she said slowly. “You’ve made me see it as the
|
||
others haven’t. I’ll work at all that measly little professor gives me,
|
||
but--I don’t know--somehow, I can’t think he’ll do much more than make
|
||
me talk decent. There’s nothing _to_ him.”
|
||
Ora’s heart beat more quickly. Her indifference had vanished in this
|
||
intimate hour, also her first subtle dislike of Ida, who’s commonness
|
||
now seemed picturesque, and whose wistful almost complete ignorance
|
||
had made a strong appeal to her sympathies. For the first time in her
|
||
lonely life she felt that she had something to give. And here was raw
|
||
and promising material ready and eager to be woven, if not into cloth
|
||
of silver, at least into a quality of merchandise vastly superior to
|
||
that which the rude loom of youth had so far produced. All she knew
|
||
of Gregory Compton, moreover, made her believe in and admire him; the
|
||
loneliness of his mental life with this woman appalled her. This was
|
||
not the first time she had been forced to admit of late that under
|
||
the cool bright surface of her nature were more womanly impulses than
|
||
formerly, a spontaneous warmth that was almost like the quickening of
|
||
a child; but she had turned from the consciousness with an impatient:
|
||
“What nonsense! What on earth should I do with it?” The sense that she
|
||
was of no vital use to anyone had discouraged her, dimmed her interest
|
||
in her studies. Her husband could hire a better housekeeper, find a
|
||
hundred girls who would companion him better. And what if she were
|
||
_instruite_? So were thousands of women. Nothing was easier.
|
||
But this clever girl of the people, who might before many years had
|
||
passed be one of the rich and conspicuous women of the United States,
|
||
above all, the wife of one of the nation’s “big men,” working himself
|
||
beyond human capacity, harassed, needing not only physical comfort at
|
||
home, but counsel, companionship, perfect understanding,--might it
|
||
not be her destiny to equip Ida Compton for her double part? Ora’s
|
||
imagination, the most precious and the most dangerous of her gifts,
|
||
was at white heat. To her everlasting credit would be the fashioning
|
||
of a helpmate for one of her country’s great men. It would be enough
|
||
to do as much for the state which her imperfect father had loved so
|
||
passionately; but her imagination would not confine Gregory Compton
|
||
within the limitations of a state. It was more than likely that his
|
||
destiny would prove to be national; and she had seen the wives of
|
||
certain men eminent in political Washington, but of obscure origin.
|
||
They were Ida’s mannered, grooved, crystallised; women to flee from.
|
||
She leaned forward and took Ida’s hand in both of hers. “Dear Mrs.
|
||
Compton!” she exclaimed. “Do let me teach you what little I know. I
|
||
mean of art--history--the past--the present--I have portfolios of
|
||
beautiful photographs of great pictures and scenes that I collected
|
||
for years in Europe. It will do me so much good to go over them. I
|
||
haven’t had the courage to look at them for years. And the significant
|
||
movements, social, political, religious,--all this theft under so
|
||
many different names,--Christian Science, the ‘Uplift’ Movement,
|
||
Occultism--from the ancient Hindu philosophy--it would be delightful to
|
||
go into it with someone. I am sure I could make it all most interesting
|
||
to you.”
|
||
“My Gorrd!” thought Ida. “Two of ’em! What am I let in for?” But the
|
||
undefined sharp sense of terror lingered, and she answered when she got
|
||
her breath,
|
||
“I’d like it first rate. The work in this shack is nothing. Mr.
|
||
Compton leaves first thing in the morning, and don’t show up till
|
||
nearly six. The professor’s coming for an hour every other afternoon.
|
||
But if I go to your house I want it understood that I don’t meet anyone
|
||
else. I’ve got my reasons.”
|
||
“You shall not meet a soul. Can’t you imagine how sick I am of Butte?
|
||
We’ll have heavenly times. I was wondering only the other day of what
|
||
use was all this heterogeneous mass of stuff I’d put into my head.
|
||
But,” she added gaily, “I know now it was for you to select from. I am
|
||
so glad. And--and----” Her keen perceptions suggested a more purely
|
||
feminine bait. “You were with Madame O’Reilley, were you not? I get my
|
||
things from a very good dressmaker in New York. Perhaps you would like
|
||
to copy some of them?”
|
||
“Aw! Would I?” Ida gasped and almost strangled. For the first time
|
||
during this the most trying day of her life she felt wholly herself.
|
||
“You may just bet your life I would. I need new duds the worst way,
|
||
even if I’m not a West Sider. I’ve been on a ranch for nearly a year
|
||
and a half, and although Mr. Compton won’t take me to any balls, there
|
||
are the movin’ pictures and the mats--matinees; _and_ the street, where
|
||
I have to show up once in a while! I used to think an awful lot of my
|
||
looks and style, and I guess it’s time to begin again. I can sew first
|
||
rate, make any old thing. Do you mean it?”
|
||
“Indeed I do! I _want_ to be of help to you in every way.” She rose and
|
||
held Ida’s hand once more in hers, although she did not kiss her as
|
||
another woman might have done. “Will you come tomorrow--about two?”
|
||
“You may bet your bottom dollar I’ll come. I haven’t thanked you, but
|
||
maybe I’ll do that some other way.”
|
||
“Oh, I shouldn’t wonder,” said Mrs. Blake lightly.
|
||
IX
|
||
Butte, “the richest hill in the world” (known at a period when less
|
||
famous for metals and morals as “Perch of the Devil”), is a long
|
||
scraggy ridge of granite and red and grey dirt rising abruptly out of
|
||
a stony uneven plain high in the Rocky Mountains. The city is scooped
|
||
out of its south slope, and overflows upon The Flat. Big Butte, an
|
||
equally abrupt protuberance, but higher, steeper, more symmetrical,
|
||
stands close beside the treasure vault, but with the aloof and somewhat
|
||
cynical air of even the apocryphal volcano. On all sides the sterile
|
||
valley heaves away as if abruptly arrested in a throe of the monstrous
|
||
convulsion that begat it; but pressing close, cutting the thin
|
||
brilliant air with its icy peaks, is an irregular and nearly circular
|
||
chain of mountains, unbroken white in winter, white on the blue
|
||
enamelled slopes in summer.
|
||
For nearly half the year the whole scene is white, with not a tree,
|
||
nor, beyond the straggling town itself, a house to break its frozen
|
||
beauty. It is only when the warm Chinook wind roars in from the west
|
||
and melts the snow much as lightning strikes, or when Summer herself
|
||
has come, that you realize the appalling surface barrenness of this
|
||
region devastated for many years by the sulphur and arsenic fumes of
|
||
ore roasted in the open or belching from the smelters. They ate up
|
||
the vegetation, and the melting snows and heavy June rains washed the
|
||
weakened earth from the bones of valley and mountain, leaving both as
|
||
stark as they must have been when the earth ceased to rock and began to
|
||
cool. Since the smelters have gone to Anaconda, patches of green, of a
|
||
sad and timid tenderness, like the smile of a child too long neglected,
|
||
have appeared between the sickly grey boulders of the foothills, and,
|
||
in Butte, lawns as large as a tablecloth have been cultivated. Anaconda
|
||
Hill at the precipitous eastern end of the city, with its tangled mass
|
||
of smokestacks, gallows-frames, shabby grey buildings, trestles, looks
|
||
like a gigantic shipwreck, but is merely the portal to the precious
|
||
ore bodies of the mines whose shafts, levels, and cross-cuts to the
|
||
depth of three thousand feet and more, pierce and ramify under city
|
||
and valley. These hideous buildings through which so many hundreds of
|
||
millions have passed, irrupt into the very back yards of some of the
|
||
homes, built too far east (and before mere gold and silver gave place
|
||
to copper); but the town improves as it leaps westward. The big severe
|
||
solid buildings to be found in every modern city sure of its stability
|
||
crowd the tumble-down wood structures of a day when no man looked upon
|
||
Butte as aught but a camp. And although the streets are vociferously
|
||
cobbled, the pavements are civilised here and there.
|
||
Farther west the houses of the residence section grow more and more
|
||
imposing, coinciding with the sense of Butte’s inevitableness. On the
|
||
high western rim of the city (which exteriorly has as many ups and
|
||
downs as the story of its vitals) stands the red School of Mines. It
|
||
has a permanent expression of surprise, natural to a bit of Italian
|
||
renaissance looking down upon Butte.
|
||
Some of the homes, particularly those of light pressed brick, and one
|
||
that looks like the northeast corner of the upper story of a robber
|
||
stronghold of the middle ages, are models of taste and not too modest
|
||
symbols of wealth; but north and south and east and west are the snow
|
||
wastes in winter and the red or grey untidy desert of sand and rock in
|
||
summer.
|
||
But if Butte is the ugliest city in the United States, she knows
|
||
how to make amends. She is alive to her finger-tips. Her streets,
|
||
her fine shops, her hotels, her great office buildings, are always
|
||
swarming and animated. At no time, not even in the devitalised hours
|
||
that precede the dawn, does she sink into that peace which even a
|
||
metropolis welcomes. She has the jubilant expression of one who coins
|
||
the very air, the thin, sparkling, nervous air, into shining dollars,
|
||
and, confident in the inexhaustible riches beneath her feet, knows
|
||
that she shall go on coining them forever. Even the squads of miners,
|
||
always, owing to the three shifts, to be seen on the street corners,
|
||
look satisfied and are invariably well-dressed. Not only do these
|
||
mines with their high wages and reasonable hours draw the best class
|
||
of workingmen, but there are many college men in them, many more
|
||
graduates from the High Schools of Montana. The “Bohunks,” or “dark
|
||
men,” an inferior class of Southern Europeans, who live like pigs and
|
||
send their wages home, rarely if ever are seen in these groups.
|
||
And if Butte be ugly, hopelessly, uncompromisingly ugly, her
|
||
compensation is akin to that of many an heiress: she never forgets
|
||
that she is the richest hill in the world. Even the hard grip of the
|
||
most unassailable trust in America, which has absorbed almost as much
|
||
of Montana’s surface as of its hidden treasure, does not interfere
|
||
with her prosperity or supreme complacency. And although she has
|
||
her pestilential politicians, her grafters and crooks, and is so
|
||
tyrannically unionized that the workingman groans under the yoke of his
|
||
brother and forgets to curse the trust, yet ability and talent make
|
||
good as always; and in that electrified city of permanent prosperity
|
||
there is a peculiar condition that offsets its evils: it is a city of
|
||
sudden and frequent vacancies. New York, Europe, above all, California,
|
||
swarm with former Montanans, particularly of Butte, who have coppered
|
||
their nests, and transplanted them with a still higher sense of
|
||
achievement.
|
||
Ora was thinking of Butte and the world beyond Butte, as she splashed
|
||
along through the suddenly melted snow toward her home on the West
|
||
Side. The Chinook, loud herald from Japan, had swept down like an army
|
||
in the night and turned the crisp white streets to rivers of mud. But
|
||
Ora wore stout walking boots, and her short skirt, cut by a master
|
||
hand, was wide enough to permit the impatient stride she never had
|
||
been able to modify in spite of her philosophy and the altitude. She
|
||
walked several miles a day and in all weathers short of a blizzard; but
|
||
not until the past few weeks with the admission that her increasing
|
||
restlessness, her longing for Europe, was growing out of bonds. She
|
||
wondered today if it were Europe she wanted, or merely a change.
|
||
She had, of course, no money of her own, and never had ceased to be
|
||
grateful that her husband’s prompt and generous allowance made it
|
||
unnecessary to ask alms of him. Three times since her marriage he had
|
||
suddenly presented her with a check for several hundred dollars and
|
||
told her to “give her nerves a chance” either down “on the coast,”
|
||
or in New York. She had always fled to New York, remained a month
|
||
or six weeks, gone day and night to opera, theatre, concerts, art
|
||
exhibitions, not forgetting her tailor and dressmaker; returning to
|
||
Butte as refreshed as if she had taken her heart and nerves, overworked
|
||
by the altitude, down to the poppy fields of Southern California.
|
||
Her vacations and her husband’s never coincided. Mark always departed
|
||
at a moment’s notice for Chicago or New York, alleging pressing
|
||
business. He returned, after equally pressing delays, well, complacent,
|
||
slightly apologetic.
|
||
Ora knew that she had but to ask permission to spend the rest of
|
||
the winter in New York, for not only was Mark the most indulgent of
|
||
husbands, but he was proud of his wife’s connections in the American
|
||
Mecca, not unwilling to read references in the Butte newspapers to her
|
||
sojourn among them. The “best people” of these Western towns rarely
|
||
have either friends or relatives in the great cities of the East. The
|
||
hardy pioneer is not recruited from the aristocracies of the world, and
|
||
the dynamic men and women that have made the West what it is have the
|
||
blood of the old pioneers in them.
|
||
Ora was one of the few exceptions. Her father had been the last of a
|
||
distinguished line of jurists unbroken since Jonathan Stratton went
|
||
down with Alexander Hamilton in the death struggle between the Federal
|
||
and the new Republican party. Ora’s mother, one of New York’s imported
|
||
beauties for a season, who had languished theretofore on the remnants
|
||
of a Louisiana plantation, impecunious and ambitious, but inexperienced
|
||
and superficially imaginative, married the handsome and brilliant
|
||
lawyer for love, conceiving that it would be romantic to spend a few
|
||
years in a mining camp, where she, indubitably, would be its dominant
|
||
lady. Butte did not come up to her ideas of romance. Nor had she found
|
||
it possible to dislodge the passively determined women with the pioneer
|
||
blood in their veins. The fumes afflicted her delicate lungs, the
|
||
altitude her far more delicate nerves. Judge Stratton deposited her in
|
||
the drawing-room of an eastern bound train with increasing relish. Had
|
||
it not been for his little girl he would have bade her upon the second
|
||
or third of these migrations to establish herself in Paris and return
|
||
no more.
|
||
During these long pilgrimages Ora, even while attending school in New
|
||
York, Paris, Berlin, Rome, Vevey, had seen something of society, for
|
||
Mrs. Stratton was ever surrounded by it, and did not approve of the
|
||
effect of boarding school diet on the complexion. But the ardours of
|
||
her mind, encouraged always by her father, who never was too busy to
|
||
write to her, had made her indifferent to the advantages prized by Mrs.
|
||
Stratton.
|
||
Today she was conscious of a keen rebellious desire for something more
|
||
frivolous, light, exciting, than had entered her life for many a year.
|
||
There can be little variety and no surprises in the social life of a
|
||
small community--for even scandal and divorce grow monotonous--and
|
||
although she could always enjoy an hour’s intellectual companionship
|
||
with the professors of the School of Mines, whenever it pleased her
|
||
to summon them, Ora, for the first time in her twenty-six years, had
|
||
drifted into a condition of mind where intellectual revels made no
|
||
appeal to her whatever.
|
||
She had wondered before this if her life would have been purely mental
|
||
had her obligations been different, but had dismissed the thought as
|
||
not only dangerous but ungrateful. She had reason to go on her knees
|
||
to her intellect, its ambitions and its furniture, for without it life
|
||
would have been insupportable. She ordered her quickening ego back
|
||
to the rear, or the depths, or wherever it bided its time, none too
|
||
amenable; she was only beginning to guess the proportions it might
|
||
assume if encouraged; the vague phantoms floating across her mind,
|
||
will-o’-the-wisps in a fog bank, frightened her. Several months since
|
||
she had set her lips, and her mind the task of acquiring the Russian
|
||
language. It had always been her experience that nothing compared with
|
||
a new language as a mental usurper.
|
||
She had entered into a deliberate partnership with a man who protected
|
||
and supported her, and she would keep the letter, far as its spirit
|
||
might be beyond the reach of her will. Even were she to become
|
||
financially independent, it was doubtful if she would leave him for
|
||
a long period; and for New York and its social diversions she cared
|
||
not at all. What she wanted was adventure--she stumbled on the word,
|
||
and stopped with a gasp. Adventure. For the first time she wished she
|
||
were a man. She would pack two mules with a prospector’s outfit and
|
||
disappear into the mountains.
|
||
She swung her mind to the Russian grammar, enough to impale it in
|
||
the death agony; but when she had entered her home, and, after a
|
||
visit to her leisurely cook, who was a unionized socialist, ascended
|
||
to her bedroom and stood before her mirror, she decided that it was
|
||
her singular interview with the wife of Gregory Compton that had
|
||
thrown her mind off its delicate balance. She recalled that Mrs.
|
||
Compton--certainly an interesting creature in spite of her appalling
|
||
commonness--had told her flagrantly that she was young, pretty, and
|
||
attractive to men, even as are young and pretty women without too much
|
||
brains. The compliment--or was it the suggestion?--had thrilled her,
|
||
and it thrilled her again. Men sometimes had tried to make love to
|
||
her, but she had ascribed such charm as she appeared to possess to the
|
||
automatically vibrating magnet of youth; and although she had never
|
||
been above a passing flirtation, either in her mother’s salon or in
|
||
Butte, she merely had been bored if the party of the other part had
|
||
taken his courage in his hands on the morrow. Scruples did not trouble
|
||
her. The American woman, she would have reasoned, is traditionally
|
||
“cold.” American men, brought up on her code of ethics, are able to
|
||
take care of themselves.
|
||
Had she been superficial in her conclusions? Could she attract men
|
||
more potently than by a merely girlish charm and a vivacious mind? Her
|
||
memory ran rapidly over the functions of the winter, particularly the
|
||
dinners and dances. She could not recall a passing conquest. She was
|
||
angry to feel herself shiver, but she jerked off her hat, and the pins
|
||
out of her fine abundant hair. She was twenty-six. Had she gone off?
|
||
Faded? She never had been called a beauty, never had had the vanity
|
||
to think herself a beauty, but she remembered that sometimes in an
|
||
animated company she had glanced into the passing mirror and thought
|
||
herself quite pretty, with her pink cheeks and sparkling eyes. But
|
||
normally she was too washed-out for beauty, however good her features
|
||
might be, and of course she had no figure at all. She dressed well from
|
||
force of habit, and she had the carriage at least to set off smartly
|
||
cut garments, but as much might be said of a dressmaker’s “form.”
|
||
And her skin was sallow and sunburned and weather-beaten and dry, as
|
||
any neglected skin in a high altitude is sure to be. Once it had been
|
||
as white as her native snows. Her hair, also the victim of the high
|
||
dry air, and exposed to the elements for hours together, was more
|
||
colourless than Nature had made it--dull--dead. She held out a strand
|
||
in dismay, remembering how her _cendré_ hair had been admired in Paris;
|
||
then with a sudden sense of relief (it escaped from the cellar where
|
||
her ego was immured on bread and water) she informed herself that it
|
||
was her duty to invoke the services of Miss Ruby Miller. No woman with
|
||
proper pride--or self-respect--would let her skin go to pot, no, not
|
||
at any age; certainly not at twenty-six. She recalled an impulsive
|
||
remark of Miss Miller’s a few months since when arranging her hair for
|
||
a fancy-dress ball, and gave another sigh--of hope.
|
||
So does Nature avenge herself.
|
||
X
|
||
She heard her husband’s voice as he entered the house, and hastily
|
||
changed her walking suit for one of the soft tea gowns she wore when
|
||
they were alone. This was a simple thing of a Copenhagen-blue silk,
|
||
with a guimpe of fine white net, and trimmed about the neck and half
|
||
sleeves with the newest and softest of the year’s laces. She noticed
|
||
with some satisfaction that her neck, below the collar line, was very
|
||
white; and she suddenly covered the rest of it with powder, then rubbed
|
||
the puff over her face. It was ordinary “baby powder” for the bath,
|
||
for she never had indulged in toilet accessories, but it answered
|
||
its purpose, if only to demonstrate what she might have been had she
|
||
safeguarded the gifts of nature. And the dull blue gown was suddenly
|
||
becoming.
|
||
Her husband, who had spent the intervening time in the library, ran
|
||
upstairs whistling in spite of his girth--he was the lightest dancer in
|
||
Butte--and knocked on her door before going to his own room.
|
||
“Say,” he said, as he chucked her under the chin, and kissed her
|
||
maritally, “but you look all right. Run down stairs and hold your
|
||
breath until I’ve made myself beautiful. I’ve got big news for you.”
|
||
She rustled softly down the stair, wondering what the news might be,
|
||
but not unduly interested. Mark was always excited over his new cases.
|
||
Perhaps he had been retained by Amalgamated. She hoped so. He deserved
|
||
it, for he worked harder than anyone knew. And she liked him sincerely,
|
||
quite without mitigation now that the years had taught him the folly of
|
||
being in love with her.
|
||
And he certainly had given her a pretty home. The house was not large
|
||
enough to be pointed out by the conductor of the “Seeing Butte Car,”
|
||
but it had been designed by a first rate architect, and had a certain
|
||
air of spaciousness within. Mrs. Stratton had furnished a flat in
|
||
Paris two years before her husband’s death, her excuse being that the
|
||
interior of the Butte house got on her nerves, and there was no other
|
||
way to take in household goods free of duty. Ora had shipped them when
|
||
the news of her father’s death and their own poverty came, knowing that
|
||
she would get a better price for the furniture in Butte, where someone
|
||
always was building, than in Paris.
|
||
Before it arrived she had made up her mind to marry Mark Blake, and
|
||
although it was several years before they had a house she kept it in
|
||
storage. In consequence her little drawing-room with its gay light
|
||
formal French furniture was unique in Butte, city of substantial and
|
||
tasteful (sometimes) but quite unindividual homes. Mark was thankful
|
||
that he was light of foot, less the bull in the china shop than he
|
||
looked, and would have preferred red walls, an oriental divan and
|
||
Persian rugs. He felt more at home in the library, a really large room
|
||
lined from floor to ceiling not only with Ora’s but Judge Stratton’s
|
||
books, which Mark had bought for a song at the auction; and further
|
||
embellished with deep leather chairs and several superb pieces of
|
||
carved Italian furniture. Ora spent the greater part of her allowance
|
||
on books, and many hours of her day in this room. But tonight she
|
||
deliberately went into the frivolous French parlour, turned on all the
|
||
lights, and sat down to await her husband’s reappearance.
|
||
Mark, who had taken kindly to the idea of dressing for dinner, came
|
||
running downstairs in a few moments.
|
||
“In the doll’s house?” he called out, as he saw the illumination in the
|
||
drawing-room. “Oh, come on into a real room and mix me a cocktail.”
|
||
“It isn’t good for you to drink cocktails so long before eating;
|
||
Huldah, who receives ‘The People’s War Cry’ on Monday, informed me that
|
||
dinner would be half an hour late.”
|
||
“I wish you’d chuck that wooden-faced leaden-footed apology for a
|
||
servant. This is the third time----”
|
||
“And get a worse? Butte rains efficient servants! Please sit down.
|
||
I--_feel_ like this room tonight. You may smoke.”
|
||
“Thanks. I believe this is the first time you have given me permission.
|
||
But I’m bound to say the room suits you.”
|
||
Ora sat in a _chaise-longue_ of the XV^{me} Siècle, a piece of
|
||
furniture whose awkward grace gives a woman’s arts full scope. Much
|
||
exercise had preserved the natural suppleness of Ora’s body and she had
|
||
ancestral memories of all arts and wiles. Mark seated himself on the
|
||
edge of a stiff little sofa covered with faded Aubusson tapestry, and
|
||
hunched his shoulders.
|
||
“If the French women furnish their rooms like this I don’t believe
|
||
all that’s said about them,” he commented wisely. “Men like to be
|
||
comfortable even when they’re looking at a pretty woman.”
|
||
“Mama let me choose the furniture for this room, and I wasn’t thinking
|
||
much about your sex at the time. I--I think it expressed a side of me
|
||
that I wasn’t conscious of then.”
|
||
“It’s a pretty room all right.” Mark lit the consolatory cigarette.
|
||
“But not to sit in. What struck you tonight?”
|
||
“Oh, I’d been thinking of Paris.”
|
||
Mark’s face was large and round and bland; it was only when he drew his
|
||
brows together that one saw how small and sharp his eyes were.
|
||
“H’m. I’ve wondered sometimes if you weren’t hankering after Europe. I
|
||
suppose it gets into the blood.”
|
||
“Oh, yes, it gets into the blood!” Ora spoke lightly, but she was
|
||
astonished at his insight.
|
||
“I’ve never been able to send you--not as you were used to going--I
|
||
don’t see you doing anything on the cheap----”
|
||
“Oh, my dear Mark, you are goodness itself. I’ve thought very little
|
||
about it, really.”
|
||
“Suppose you found yourself suddenly rich, would you light out and
|
||
leave me?”
|
||
“We’d go together. It would be great fun being your cicerone.”
|
||
“No chance! I’m going to be a rich man inside the next ten years, and
|
||
here I stick. And I don’t see myself travelling on a woman’s money,
|
||
either. But I suppose you’d be like all the rest if you could afford
|
||
it?”
|
||
“Oh, I don’t know. Of course I look forward to spending a year in
|
||
Europe once more--I’d hardly be human if I didn’t. But I can wait for
|
||
you.”
|
||
“I’ve always admired your philosophy,” he said grimly. “And now I’ve
|
||
got a chance to put it to a real test. I believe you are in a way, if
|
||
not to be rich, at least to make a pretty good haul.”
|
||
“What do you mean?” Ora sat up straight.
|
||
“Your father made a good many wild-cat investments when he first came
|
||
out here, and the one he apparently thought the worst, for I found no
|
||
mention of it among his papers, was the Oro Fino Primo mine, which he
|
||
bought from a couple of sharks in the year you were born--that’s where
|
||
you got your name, I guess. One of the men was a well known prospector
|
||
and the Judge thought he was safe. The ore assayed about eighty dollars
|
||
a ton, so he took over the claim, paid the Lord knows how much to the
|
||
prospector, who promptly lit out, had it patented, and set a small crew
|
||
to work under a manager. They found nothing but low grade ore, which
|
||
in those days roused about as much enthusiasm as country rock. The
|
||
mine had been salted, of course. It was some time before your father
|
||
would give up, and he spent more than the necessary amount of money
|
||
to perfect the patent; always hoping. When he was finally convinced
|
||
there was nothing in it he quit. And it was characteristic of your
|
||
father that when he quit he quit for good. He simply dismissed the
|
||
thing from his mind. Well, times have changed since then. New processes
|
||
and more railroads have caused fortunes to be made out of low grade
|
||
ore when there is enough of it. Some people would rather have a big
|
||
lode of low grade ore than a pockety vein of rich quartz. As you know,
|
||
abandoned mines are being leased all over the state, and abandoned
|
||
prospect holes investigated. Well, there you are. This morning two
|
||
mining engineers from New York came into my office with a tale of woe.
|
||
They came out here to look about, and after considerable travel within
|
||
a reasonable distance of railroads found an old prospect hole with a
|
||
shaft sunk about fifty feet. It looked abandoned all right, but as
|
||
the dump was still there and they liked the looks of it they went to
|
||
the De Smet ranch house--the hole is just over the border of Greg’s
|
||
ranch--and made inquiries. Oakley, who is a monomaniac on the subject
|
||
of intensive farming and doesn’t know a mine from a gopher hole, told
|
||
them that the adjacent land belonged to no one but the government.
|
||
So they staked their claim, recorded it in Virginia City, retimbered
|
||
the shaft and sank it twenty feet deeper. They began to take out ore
|
||
that looked good for fifteen dollars a ton. Then along comes an old
|
||
prospector and tells them the story of the mine. They leave their two
|
||
miners on the job and post up to Helena to have the records examined
|
||
in the Land Office. There, sure enough, they find that the mine was
|
||
duly patented by Judge Stratton, and all of the government requirements
|
||
complied with. So they come to me. They want a bond and lease for
|
||
three years--which means they may have the privilege of buying at the
|
||
end of the lease--and offer you ten per cent. on the net proceeds. I
|
||
haven’t given them my answer yet, for I’m going to take Greg out there
|
||
next Sunday and have a look at it. There was a sort of suppressed
|
||
get-rich-quickishness in their manner, and their offer was not what
|
||
you would call munificent. Greg is a born geologist, to say nothing
|
||
of his training. I don’t mean so much in the School of Mines, but he
|
||
was always gophering about with old prospectors, and ran away into the
|
||
mountains several times when his father was alive. Never showed up all
|
||
summer. He’s at ore now every spare moment he gets, and is as good an
|
||
assayer as there is in the state. If there’s mineral on his own ranch
|
||
he’ll find it, and if there isn’t he’ll find it elsewhere. So, I do
|
||
nothing till he’s looked the property over. But in any case I think I
|
||
can promise you a good lump of money.”
|
||
Ora’s breath was short. Her face had been scarlet for a few moments
|
||
but now showed quite pale under the tan and powder. When her husband
|
||
finished, however, and she replied, “How jolly,” her voice was quite
|
||
steady.
|
||
“And shall you fly off and leave me if it pans out?”
|
||
“Of course not. What do you take me for?”
|
||
“To tell you the truth it will mean a good deal to me if you stay until
|
||
the fall. I’ve a client coming out here from New York whom I am trying
|
||
to persuade to buy the old Iron Hat mine. There’s a fortune in it for
|
||
anyone with money enough to spend rebuilding the old works and putting
|
||
in new machinery and timbers; and a big rake-off for me, if I put the
|
||
deal through. Well, this client figures to bring his wife and daughter,
|
||
and you could help me a lot--persuade them they’d have the time of
|
||
their lives if they spent several months of every year out here for
|
||
a while--he’s a domestic sort of man. After that take a flyer if you
|
||
like. You deserve it.”
|
||
“How nice of you! Here is dinner at last.” Ora felt almost physically
|
||
sick, so dazzling had been the sudden prospect of deliverance,
|
||
followed by the certainty, even before her husband asked for the
|
||
diplomatic assistance she so often had given him, that she could not
|
||
take advantage of it. Noblesse oblige! For the moment she hated her
|
||
watchword.
|
||
She mixed a cocktail with steady hand. “I’ll indulge in a perfect orgie
|
||
of clothes!” she said gaily. “And import a chef. By the way,” she
|
||
added, as she seated herself at the table and straightened the knives
|
||
and forks beside her plate, “what do you think I let myself in for
|
||
today?”
|
||
“Not been speculating? There’s a quart of Worcestershire in this soup.”
|
||
“I’ll certainly treat you to a chef. No, not speculating--I wonder if
|
||
it mightn’t be that? I called on your friend’s wife----”
|
||
“Good girl! She’s not your sort, but she’s Greg’s wife----”
|
||
“I thought she was quite terrible at first, but I soon became
|
||
interested. She’s clever in her way, ignorant as she is, and has
|
||
individuality. Before I knew it I had offered to take a hand in her
|
||
education----”
|
||
“Good lord! What sort of a hand?”
|
||
“Oh, just showing her my portfolios, giving her some idea of art. It
|
||
sounds very elemental, but one must begin somewhere. She knows so
|
||
little that it will be like teaching a child a b c.”
|
||
“I’m afraid it will bore you.”
|
||
“No, I like the idea. It is something new, and change is good for the
|
||
soul. I have an idea that I shall continue to find her as interesting
|
||
as I intend she shall find the ‘lessons’.”
|
||
“She’ll get more than lessons on art. She’ll get a good tone down, and
|
||
she needs that all right. Poor old Greg! He deserved the best and he
|
||
got Ida Hook. I tried to head him off but I might as well have tried to
|
||
head off a stampede to a new gold diggings. He ought to have married a
|
||
lady, that’s what.”
|
||
Ora glanced up quickly, then, thankful that her husband was intent upon
|
||
his carving, dropped her eyes. It was the first time he had ever hinted
|
||
at the differences of class. In his boyhood there had been a mighty
|
||
gulf between his mother and the haughty Mrs. Stratton who employed her
|
||
in what was then the finest house in Butte. But he was too thoroughly
|
||
imbued with the spirit of the West, in which he had spent his life,
|
||
to recognise any difference in class save that which was determined
|
||
by income. As soon as his own abilities, industry, and the turn of
|
||
Fortune’s wheel, placed him in a position to offer support to the two
|
||
dainty women that had been his ideals from boyhood, he knew himself to
|
||
be their equal, without exhausting himself in analysis.
|
||
As for Ora, the West was quick in her blood, in spite of her heritage
|
||
and education. Her father had assumed the virtue of democracy when
|
||
he settled in Montana. In the course of a few years a genuine liking
|
||
and enthusiasm for his adopted state, as well as daily associations,
|
||
transformed him into as typical a Westerner as the West ever turned out
|
||
of her ruthless crucible. He even wore a Stetson hat when he visited
|
||
New York. His wife’s “airs” had inspired him with an increasing disgust
|
||
which was one of the most honest emotions of his life, and the text
|
||
of his repeated warnings to his daughter, whom he was forced to leave
|
||
to the daily guidance of his legal wife (Ora’s continued presence
|
||
in Butte, would, in truth, have caused him much embarrassment), had
|
||
been to cherish her Western birthright as the most precious of her
|
||
possessions.
|
||
“Remember this is the twentieth century,” he had written to her not
|
||
long before his death. “There is no society in the world today that
|
||
cannot be invaded by a combination of money, brains, and a certain
|
||
social talent--common enough. The modern man, particularly in the
|
||
United States, makes himself. His ancestors count for nothing, if he
|
||
doesn’t. If he does they may be a good asset, for they (possibly) have
|
||
given him breeding ready-made, moral fibre, and a brain of better
|
||
composition than the average man of the people can expect. But that is
|
||
only by the way. The two most potent factors in the world today are
|
||
money and the waxing, rising, imperishable democratic spirit. That was
|
||
reborn out here in the West, and the West is invading and absorbing
|
||
the East. The old un-American social standards of the East are
|
||
expiring in the present generation, which resort to every absurdity to
|
||
maintain them; its self-consciousness betraying its recognition of the
|
||
inevitable. Twenty years hence this class will be, if still clinging
|
||
to its spar, as much of a national joke as the Western women were when
|
||
they first flashed their diamonds in Peacock Alley. That phase, you
|
||
may notice, is so dead that the comic papers have forgotten it. The
|
||
phase was inevitable, but our women are now so accustomed to their
|
||
money that they are not to be distinguished from wealthy women anywhere
|
||
except that their natural hospitality and independence make them seem
|
||
more sure of themselves. Of course the innately vulgar are to be found
|
||
everywhere, and nowhere more abundantly than in New York.
|
||
“Twenty years from now, the West will have overrun the East; it will
|
||
have helped itself with both hands to all the older civilisation has to
|
||
give, and it will have made New York as democratic as Butte--or London!
|
||
So don’t let yourself grow up with any old-fashioned nonsense in your
|
||
head. I want you to start out in life modern to the core, unhampered
|
||
by any of the obsolete notions that make your mother and most of our
|
||
relations a sort of premature has-beens. When your time comes to
|
||
marry, select a Western man who either has made his own fortune or
|
||
has the ability to make it. Don’t give a thought to his origin if his
|
||
education is good, and his manners good enough. You can supply the
|
||
frills. I wouldn’t have you marry a man that lacked the fundamentals of
|
||
education at least, but better that than one whose brain is so full of
|
||
old-fashioned ideas that it has no room for those that are born every
|
||
minute. And I hope you will settle here in this state and do something
|
||
for it, either through the abilities of the man you marry or with your
|
||
own. It isn’t only the men that build up a new state. And if you marry
|
||
a foreigner never let me see nor hear from you again. They are all very
|
||
well in their way, but it is not our way.”
|
||
Ora, who had worshipped her father and admired him above all men, never
|
||
forgot a word he uttered, and knew his letters by heart. Possibly it
|
||
was the memory of this last of his admonitions which had enabled her
|
||
to sustain the shock of a proposal from the son of her mother’s old
|
||
seamstress and of a miner who had died in his overalls underground.
|
||
It is doubtful if she would have been conscious of the shock had it
|
||
not been for Mrs. Stratton’s lamentations. That lady from her sofa in
|
||
one of the humbler Blocks, had sent wail after wail in the direction
|
||
of the impertinent aspirant. Ora, during the brief period in which
|
||
she made her decision, heard so much about the “bluest blood of the
|
||
South,” and the titled foreigners whom she apparently could have had
|
||
for the accepting when she was supposed to belong to the Millionaire
|
||
Sisterhood, that she began to ponder upon the violent contrasts
|
||
embodied in Mark with something like rapture. After the marriage was
|
||
accomplished, Mrs. Stratton had the grace to wail in solitude, and
|
||
shortly after moved on to a world where only the archangels are titled
|
||
and never have been known to marry. Ora had not given the matter
|
||
another thought. Mark had been carefully brought up by a refined little
|
||
woman, his vicious tendencies had been negligible, and he was too
|
||
keen to graduate from the High School and make his start in life to
|
||
waste time in even the milder forms of dissipation. When he married he
|
||
adapted himself imperceptibly to the new social world he entered; if
|
||
not a Beau Brummel, nor an Admirable Crichton, he never would disgrace
|
||
his aristocratic wife; and, unlike Judge Stratton, he wore a silk hat
|
||
in New York.
|
||
His last remark apparently had been a mere vapour from his subconscious
|
||
mind, for he went on as soon as he had taken the edge from his
|
||
appetite, “Perhaps Ida Hook can be made into one. I’ve seen waitresses
|
||
and chambermaids metamorphosed by a million or two so that their own
|
||
husbands wouldn’t recognise them if they stayed away too long. But
|
||
it takes time, and Ida has an opinion of herself that would make an
|
||
English duchess feel like a slag dump. Say--do you know it was through
|
||
me Greg met her? It was that week you were out on the Kelley ranch.
|
||
I met two or three of the old crowd on the street and nothing would
|
||
do but that I should go to their picnic for the sake of old times.
|
||
Greg was in town and I persuaded him to come along. Didn’t want to,
|
||
but I talked him over. Guess there’s no escaping our fate. Possibly
|
||
I couldn’t have corralled him if it hadn’t been for reaction--he’d
|
||
been whooping it up on The Flat. Well, I wished afterward that I’d
|
||
left him to play the wheel and all the rest of it for a while longer.
|
||
Greg never loses his head--that is to say he never did till he met Ida
|
||
Hook. The sporting life never took a hold on him, for while he went
|
||
in for it with the deep deliberation that was born in him, it’s just
|
||
that deliberation that saves him from going too far. He cuts loose
|
||
the minute he figured out beforehand to cut loose, and all the king’s
|
||
horses--or all the other attractions--couldn’t make him put in another
|
||
second. A girl shot herself one night out at the Five Mile House
|
||
because he suddenly said good-bye and turned on his heel. She knew he
|
||
meant it. He never even turned round when he heard her drop----”
|
||
“What a brute!”
|
||
“Greg? Not he. I’ve known him to sit up all night with a sick dog----”
|
||
“I hate people that are kind to animals and cruel to one another.”
|
||
“Greg isn’t cruel. He said he was going and he went; that’s all. It’s
|
||
his way. Girls of that kind are trash, anyhow, and when a woman goes
|
||
into the sporting life she knows enough to take sporting chances.”
|
||
“You are as bad as he.”
|
||
Mark stared at her in open-eyed amazement. He never had seen her really
|
||
roused before. “Don’t you bother your dear little head,” he said
|
||
soothingly. “Angels like you don’t know anything about that sort of
|
||
life--and don’t need to.”
|
||
Ora’s anger vanished in laughter. “Well, suppose you give me a hint
|
||
about his wife. I really am interested, and delighted at the prospect
|
||
of being of some use in the world.”
|
||
“You’re all right! Ida--well, I guess you’ll do a lot for her, by just
|
||
having her round. She’s no fool--and she certainly is a looker. If you
|
||
tone her down and polish her up I’ll feel it’s a sort of favour to
|
||
myself. Greg’ll be one of the richest men in this country some day,--if
|
||
he has to walk over a few thousand fellow citizens to get there--and I
|
||
don’t want to see him queered by a woman. Seen that before.”
|
||
“I intend to do my best, but for her sake, not his----”
|
||
“Say!” It was patent that Mark had an inspiration. “Why not take Ida
|
||
with you to Europe? I don’t like the idea of a dainty little thing like
|
||
you” (Ora was five feet six) “travelling alone, and a husky girl like
|
||
Ida could take care of you while putting on a few coats of European
|
||
polish. Greg can afford it; he must have cleared a good many thousands
|
||
on his ranch during the last two years, besides what I’ve turned over
|
||
for him; and he can live here with me and get all the comforts of
|
||
home. I’ll let you off for six months. What do you say?”
|
||
Ora was looking at him with pink cheeks and bright eyes. “You are sure
|
||
you won’t mind?”
|
||
“I’ll miss you like fun, of course; especially when you look as pretty
|
||
as you do this minute, but I think it would be a good thing for you and
|
||
better for Ida--and I’ll fire this cook.”
|
||
“Will Mr. Compton give his consent?”
|
||
“No one on God’s earth would take chances on what Gregory Compton would
|
||
do until he had done it, but I don’t mind throwing a guess that he
|
||
could live without Ida for six months and not ask me to dry his tears.
|
||
And there isn’t a mean bone in his body.”
|
||
“It would interest me immensely to take Mrs. Compton abroad. Now hurry
|
||
if you expect to get a seat at one of the bridge tables. It is late----”
|
||
“I rather thought I’d like to stay and talk to you----”
|
||
“How polite of you! But I’m tired out and going straight to bed. So
|
||
toddle along.”
|
||
XI
|
||
“Tailored suits have to be made by a tailor, but I’d like first rate to
|
||
copy this one you call a little afternoon frock. It’s got the style all
|
||
right, and I could get some cheap nice-looking stuff.”
|
||
Ida was gloating over Ora’s limited but fashionable wardrobe, and
|
||
while she held the smart afternoon frock out at arm’s length, her eye
|
||
wandered to an evening gown of blue satin and chiffon that lay over the
|
||
back of a chair.
|
||
“Glory!” she sighed. “But I’d like to wear a real gown like that.
|
||
Low-neck, short sleeves! I’ve got the neck and arms too, you bet----”
|
||
“Why not copy it?” Ora was full of enthusiasm once more. “You can do it
|
||
here, and I have an excellent seamstress----”
|
||
“Where’d I wear a rig like that? Even if I made it in China silk and
|
||
Greg took me anywheres, I couldn’t. We don’t go in for real low necks
|
||
in our bunch.”
|
||
“But surely you’ll go to the Junior Prom?”
|
||
Ida opened her mouth as well as her eyes. “The Junior Prom? I never
|
||
thought of it. Of course I’d be asked, Greg being in the Junior Class
|
||
and all----”
|
||
“Naturally.”
|
||
Ida frowned. “Well, I ain’t going. I said I wouldn’t go anywheres--to
|
||
any swell blowouts, until I’m as big as anybody there.”
|
||
“But the School of Mines is composed of young men of all classes. Each
|
||
asks his friends. The Prom is anything but an exclusive affair. You go
|
||
out to the Garden dances on Friday nights in summer?”
|
||
“Oh, in that jam--and everybody wearing their suits, or any old
|
||
thing----”
|
||
“Well, I think you should go to the Prom. Mr. Compton is the star pupil
|
||
in the School of Mines. The professors talk of no one else. I rather
|
||
think your absence would cause comment.”
|
||
“Well--maybe I’ll go. I’d like to all right. But I can’t wear low-neck.
|
||
I guess you know it wouldn’t do.”
|
||
“No doubt you are right.” Ora made no attempt at conversion; it was
|
||
encouraging that Ida had certain inclinations toward good taste, even
|
||
if they were prompted by expediency.
|
||
“Jimminy, but your room’s pretty!” exclaimed Ida. “Mine’s pink--but
|
||
lawsy!”
|
||
She gazed about the room, which, although she never had seen the sea,
|
||
recalled descriptions of its shells washed by its foam. She knit her
|
||
brows. “I guess it takes experience, and seein’ things,” she muttered.
|
||
Her eyes travelled to the little bed in one corner. It would have
|
||
looked like a nun’s, so narrow and inconspicuous was it, had it not
|
||
been for its cover of pale pink satin under the same filmy lace.
|
||
“Sakes alive!” she exclaimed. “Don’t you sleep with your husband?”
|
||
Ora was angry to feel herself coloring. She answered haughtily, “We
|
||
have separate rooms. It is the custom--I mean--I have always seen----”
|
||
“I’ve heard it was the stunt among swells, but I don’t hold to it. It’s
|
||
only at night that you’ve really got a chance to know where a man is;
|
||
and the more rope you give him the more he’ll take. What’s to prevent
|
||
Mark slippin’ out when he thinks you’re asleep? Or coming home any old
|
||
time? Besides, some men talk in their sleep. That gives you another
|
||
hold. I’m always hoping Greg will, as he talks so little when he’s
|
||
awake. You bet your life he never gets a room to himself.”
|
||
“Poor Mr. Compton!” thought Ora. “I fancy he’ll expiate.” “Shall we go
|
||
downstairs?” she asked. “I got my portfolios out this morning.”
|
||
She tactfully had shown Ida her wardrobe first, and the guest descended
|
||
to the library in high good humour. For an hour they hung over the
|
||
contents of the Italian portfolios. Ida was enchanted with the castles
|
||
and ruins, listened eagerly to the legends, and was proud of her
|
||
own knowledge of the horrors enacted in the Coliseum. But over the
|
||
photographs of the masterpieces in the Pitti and the Uffizi she frankly
|
||
yawned.
|
||
“No more cross-eyed saints, and fat babies and shameless sporting women
|
||
in mine,” she announced. “Them virgins sitting on thrones, holding
|
||
four-year-olds trying to look like six months, make me tired.”
|
||
“Oh, well, I fancy you must see the old masters for the first time in
|
||
their proper setting--and wonderful colouring----” Ora wondered if the
|
||
masterpieces would appear somewhat overrated to herself if seen for the
|
||
first time in Butte. It certainly was interesting to watch the effect
|
||
of fixed standards--or superstitions--upon an untrained but remarkably
|
||
sharp mind.
|
||
“That Last Supper looks like they’d been eating the paint,” pursued Ida.
|
||
Ora laughed. “I shan’t show you any more pictures today. This furniture
|
||
is Italian--Florentine and Venetian. Let me tell you something about
|
||
it.”
|
||
“I’d like to see all your rooms.” Ida rose and stretched herself
|
||
luxuriously. Ora thought she looked like a beautiful Persian cat.
|
||
“Houses interest me mor’n pictures, although I’ll buy them too some
|
||
day. Not old masters, though. They’d give me the willys. This carved
|
||
oak with faded gilt panels is a dream!” she exclaimed with instant
|
||
appreciation. “I’d learn wood-carving if there was anyone in this
|
||
God-forsaken camp to teach it.”
|
||
Ora clapped her hands, and once more, to Ida’s startled eyes she looked
|
||
like a very young girl. “I studied several of the crafts when I was in
|
||
Germany,” she cried, “wood-carving, brass-hammering, enamelling. I’ll
|
||
set up a workshop--let me see, the attic would be the best place, and
|
||
the furnace warms it--and teach you, and work myself. It’s just what I
|
||
need. I wonder I never thought of it----”
|
||
“Need what?” interrupted Ida sharply.
|
||
“Oh, a relief from too much study. There’s nothing like a craft for
|
||
mental workers--I should have thought of it before,” she repeated.
|
||
“What do you say?”
|
||
“I’d like it first rate, and I guess you’ll find me quick enough with
|
||
my hands, whatever you think of my cocoanut.”
|
||
“I think very highly of your cocoanut. This is my little drawing-room.”
|
||
Ida stood on the threshold for a few moments without comment. She
|
||
had never cast a thought to her Puritan inheritance, but anger,
|
||
disapproval, possessed her. She hated the room, but had no reason to
|
||
give.
|
||
“You don’t like my favourite room?” asked Ora, who was watching her
|
||
curiously.
|
||
“Is it your favourite room?” She turned this over. “No, I guess I like
|
||
the heavy, solid, durable things best.” She struggled for her reasons.
|
||
“You get your money’s worth in them. This looks like the first Chinook
|
||
would blow it clear over into North Dakota, or as if you might come
|
||
in some morning and find a heap of dust where it had been the night
|
||
before--like a corpse when the air’s let in. I didn’t mind your bedroom
|
||
being dainty and looking like some sea shells I saw once in a picture
|
||
frame,--it looks all of a piece, too, you might say; but this--with
|
||
them queer thin faded out chairs and sofas--the colours on the wood
|
||
even, and them pictures over the doors and mantel look like they would
|
||
do the final disappearing act while you wait--well, there’s something
|
||
kinder mysterious--ghostly--it looks so stiff--and--at the same
|
||
time--so kinder immoral----”
|
||
“I wonder if what you are groping for is the atmosphere of the past,
|
||
which all old furniture must have, particularly if rearranged in
|
||
something like its original setting.” Ora was regarding her with a new
|
||
interest. “This furniture came out of a _hôtel_--what we would call a
|
||
residence--with a history--several histories, I should think--and I
|
||
fancy it was all frivolous, and wicked, and exciting----”
|
||
“I ain’t no spiritualist!” said Ida tartly. “Is that what you’re
|
||
driving at?”
|
||
“I don’t know that I was thinking of occultism, even,” said Ora
|
||
lightly. “But it is interesting to find these old things have
|
||
atmosphere for you as well as for me----”
|
||
“Why is it your favourite room? Because it has ‘atmosphere’?”
|
||
“I don’t know. I doubt if I have ever given the matter a thought.”
|
||
“So this is your favourite room.” Ida turned her back on it. “H’m.
|
||
Well, maybe I’ll understand some things better one of these days than
|
||
I do now. Perhaps,” with one of her uncanny dashes of intuition, “I’ll
|
||
understand it when I do you.”
|
||
“Let us go up to the attic and look it over. I’ll have the table and
|
||
benches made tomorrow.” Something was moving toward expression in her
|
||
own mind, but she flung it aside and ran up the stair followed by Ida,
|
||
who dismissed the subject as promptly.
|
||
XII
|
||
There had been a good deal of haggling over the lease of the Oro Fino
|
||
Primo mine, the engineers demanding a three years’ lease and bond,
|
||
proposing to purchase it at the end of that period for fifty thousand
|
||
dollars. Nor were they willing to pay more than ten per cent. in
|
||
royalty, displaying the assay report on the ore and arguing that after
|
||
the necessary outlay on development work, the ore body might be too
|
||
small to repay them.
|
||
Mark, however, was determined not to close with them until he had
|
||
visited the claim with Gregory Compton, and this proved to be
|
||
impossible for several weeks. The engineers, unable to proceed, had
|
||
dismissed their men. They threatened to withdraw their offer and look
|
||
for another abandoned property. Mark told them to go ahead, and they
|
||
remained in Butte.
|
||
In the course of a month Mark and Gregory were both free on a Sunday.
|
||
They took a train for Pony, hired a rig and drove over to the Stratton
|
||
claim, dignified by the name of mine.
|
||
The claim was on a small tableland between Gregory’s own hill, which
|
||
terminated just beyond the borders of his ranch, and another slope
|
||
covered with pines and firs. The engineers had put up a windlass,
|
||
retimbered the shaft, sunk it twenty feet lower, and added a pile of
|
||
dirty looking ore to the original half-obliterated heap about the
|
||
collar of the shaft.
|
||
Gregory picked up half a dozen pieces of various sizes and examined
|
||
them. “Their assay was about right, I should think,” he said. “Looks
|
||
like good low grade ore, but not too good. It will do no harm to assay
|
||
it myself, however,” and he dropped the sample into the pocket of
|
||
his coat. Suddenly he gave a startled exclamation, and Mark saw his
|
||
nostrils dilate, his nose almost point, as he darted forward and kicked
|
||
aside a heap of loosely piled quartz. Then he knelt down and lifted
|
||
out several lumps of greyish-black ore.
|
||
“What is it?” asked Mark curiously, and feeling something of the
|
||
excitement of the hunter whose gun is trained on a bear. “D’you mean
|
||
they’ve found copper glance?”
|
||
“At a depth of sixty feet? Not exactly. This is a basic igneous rock
|
||
called pyroxenite, that may not be rich in gold but is more than likely
|
||
to be--particularly as our friends have hidden it so carefully and said
|
||
nothing about it. It may assay anywhere from ten dollars a ton to five
|
||
hundred. I’m going down.”
|
||
The shaft was inclined, four by eight, and timbered with lagging.
|
||
Gregory lit the candle he had brought and descended the ladder. He
|
||
remained below about ten minutes; when he returned to the surface he
|
||
was excited and triumphant.
|
||
“They’ve begun to drift on the vein,” he announced. “They’ve gone about
|
||
three feet--it must have been then they learned the history of the
|
||
claim. It’s pyroxenite all right, every inch of it.”
|
||
“Well, damn them!” said Mark.
|
||
“They can’t plead that they didn’t recognise the ore, uncommon as it
|
||
is, because they began to drift the moment they struck the vein. It
|
||
dips toward the ranch,” he added abruptly.
|
||
Mark whistled. “It’s pretty close. That would be a kettle of fish--if
|
||
it apexed on your land! Lawsuit. Friendship of a lifetime broken. The
|
||
beautiful Mrs. Mark Blake brings suit against the now famous Gregory
|
||
Compton----”
|
||
“Oh, nonsense!” said Gregory shortly. But he was disturbed nevertheless.
|
||
“But there’s no nonsense in the idea that your own ore bodies may be
|
||
just over the border. Why don’t you sink a shaft, just for nuts.”
|
||
Gregory, who was still excited, felt an impulse to confide his
|
||
discovery to his friend. But his natural secretiveness overcame him and
|
||
he turned abruptly away. “When I have finished at the School,” he said,
|
||
“no doubt I’ll begin gophering again, but not before. What are you
|
||
going to do about this? Let them have it?”
|
||
“I’ll let them have a piece of my mind first. What do you
|
||
advise?--that I work the mine, myself? I could easily form a company if
|
||
the ore is as rich as you think.”
|
||
“I wouldn’t take the chances. Lease the claim to them for a year.
|
||
They’ll take it for that time with all this ore in sight. If they’ve
|
||
hit a large chamber they’ll soon be netting several thousand dollars a
|
||
day. If it’s only a pocket, let them find it out. At the end of a year
|
||
you’ll know a good deal more about the mine than you do now. But keep
|
||
an eye on them so that they don’t gouge, and make them pay you twenty
|
||
per cent. royalty.”
|
||
“They’ll pay it through the nose,” said Mark emphatically.
|
||
Gregory laughed. “You feel as virtuously indignant as if you had never
|
||
tried to do anybody yourself. It’s do or be done out West as well as
|
||
back East, and precious few mines have a clean history. Marcus Daly
|
||
never would have got the best part of Butte Hill if he hadn’t kept his
|
||
mouth shut.”
|
||
“It isn’t that I’m so virtuous,” said Mark ingenuously, “but I don’t
|
||
like the idea that anybody so nearly got the best of me. And just look
|
||
at the way they covered it up.”
|
||
Gregory had kicked aside the greater part of a pile of grey ore, and
|
||
revealed quite a hillock of the pyroxenite. He put several pieces in
|
||
his pocket, discarding the first specimens. “I’ll get to work on this
|
||
tonight,” he said, “and let you know first thing in the morning. But
|
||
I’m willing to wager that it runs from sixty to a hundred dollars a
|
||
ton.”
|
||
“And not a fleck of gold to be seen!” Mark, who, like all intelligent
|
||
men of mining localities, had some knowledge of ores, examined the dark
|
||
rock attentively. “They’re some geologists,” he added with unwilling
|
||
admiration. “This would fool any ordinary mining engineer. Say!” he
|
||
cried, “I |